Chapters (72)
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Epilogue
- Acknowledgments
- Extras
- Meet the Author
- Interview
- A Preview of "Shadow’s Edge"
I came to writing backwards, by which I mean directly. Most writers have a long list of strange jobs they held before they settled into writing. I’ve known I wanted to be a novelist since I was thirteen. I figured that instead of doing something practical that made money until I was old enough to have the leisure to try, I’d just try. To support myself, I worked as a bartender and then as an English teacher. When we married, my wife and I decided I would write full-time. Unless your spouse thinks being poor is romantic and is tremendously patient, unbelievably supportive, and basically unconcerned about owning toys, this is a recipe for disaster. For us, it worked.
Do you mainly read fantasy fiction or are there other genres that you enjoy?
Fantasy is my first love, but like most writers my reading habits are fairly promiscuous. I love reading history because it breaks you free of some of your own culture’s preconceptions while staying within the bounds of human psychology. If you read something totally outlandish in a fantasy novel, you think, meh, whatever. If you read something totally outlandish in history, you think, how did that happen? How did people accept that? It’s also fun because you find places where other novelists have “borrowed.” I was reading about the Borgias in sixteenth-century Italy and it slapped me in the face—Pope Alexander VII was the Godfather, complete with dysfunctional kids. I checked into it, and Mario Puzo readily admits it. I also dabble with mysteries and whatever’s on the best-seller rack, and I’m a recovering literature major.
The Night Angel Trilogy has a very dark and gritty concept. How did you derive the idea for it?
There are a lot of answers to this question.
First, few writers admit this, but coming up with ideas is the hard part of writing. I pay a guy in Bulgaria to do it for me. Then I do the easy part and make a novel out of it. No, actually, ideas come from a secret email discussion list in New York City. You can’t get on the list until you’re published, but you can’t get published until you’re on the list.