Kylar followed Blint to his workroom. This one was smaller than the one Azoth had first seen in Blint’s old safe house, but at least this house had doors between the animals’ pens and the work area. It smelled much better. It was also familiar now. The books lining the shelves were like old friends. He and Blint had even added dozens of recipes to them. In the past nine years, he had come to appreciate Blint’s mastery of poisons.

Every wetboy used poisons, of course. Hemlock, and blood flower, and mandrake root, and ariamu were all local and fairly deadly. But Blint knew hundreds of poisons. There were entire pages of his books crossed out, notes scrawled in Durzo’s tight angular hand, “Fool. Dilutes the poison.” Other entries were amended, from how long it took for the poison to take effect to what the best methods for delivery were, to how to keep the plants alive in foreign climes.

Master Blint picked up a box. “Sit.”

Kylar sat at the high table, propping an elbow on the wood and holding his chin. Blint upended the box in front of him.

A white snake slid onto the table with a thump. Kylar barely had time to register what it was before it struck at his face. He saw its mouth open, huge, fangs glittering. He was moving back, but too slowly.

Then the snake disappeared and Kylar was falling backward off the stool. He landed flat on his back but bounced up to his feet in an instant.

Blint was holding the snake behind the head. He had grabbed it out of the air while it was striking. “Do you know what this is, Kylar?”

“It’s a white asp.” It was one of the most deadly snakes in the world. They were small, rarely growing longer than a man’s forearm, but those they bit died within seconds.

“No, it’s the price of failure. Kylar, you fight as well as any non-Talented man I’ve ever seen. But you’re no wetboy. You’ve mastered the poisons; you know the techniques of killing. Your reaction speed is peerless; your instincts are good. You hide well, disguise well, fight well. But doing those things well is shit, it’s nothing. An assassin does those things well. That’s why assassins have targets. Wetboys have deaders. Why do we call them deaders? Because when we take a contract, the rest of their short lives is a formality. You have the Talent, Kylar, but you aren’t using it. Won’t use it. You’ve seen a little of what I have to teach you, but I can’t teach it to you until you tap your Talent.”

“I know. I know,” Kylar said, refusing to meet his master’s gaze.