Back The Venice Sketchbook Save as PDF
Chapters (54)
  1. TITLE PAGE
  2. COPYRIGHT PAGE
  3. DEDICATION
  4. CONTENTS
  5. PROLOGUE: VENICE, 1940
  6. CHAPTER 1
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. CHAPTER 5
  11. CHAPTER 6
  12. CHAPTER 7
  13. CHAPTER 8
  14. CHAPTER 9
  15. CHAPTER 10
  16. CHAPTER 11
  17. CHAPTER 12
  18. CHAPTER 13
  19. CHAPTER 14
  20. CHAPTER 15
  21. CHAPTER 16
  22. CHAPTER 17
  23. CHAPTER 18
  24. CHAPTER 19
  25. CHAPTER 20
  26. CHAPTER 21
  27. CHAPTER 22
  28. CHAPTER 23
  29. CHAPTER 24
  30. CHAPTER 25
  31. CHAPTER 26
  32. CHAPTER 27
  33. CHAPTER 28
  34. CHAPTER 29
  35. CHAPTER 30
  36. CHAPTER 31
  37. CHAPTER 32
  38. CHAPTER 33
  39. CHAPTER 34
  40. CHAPTER 35
  41. CHAPTER 36
  42. CHAPTER 37
  43. CHAPTER 38
  44. CHAPTER 39
  45. CHAPTER 40
  46. CHAPTER 41
  47. CHAPTER 42
  48. CHAPTER 43
  49. CHAPTER 44
  50. CHAPTER 45
  51. CHAPTER 46
  52. CHAPTER 47
  53. ACKNOWLEDGMENTS
  54. ABOUT THE AUTHOR

The street here was called Zattere Ai Gesuati, and she passed a huge Jesuit church. She crossed a bridge over a side canal. This one was called the Ponti agli Incurabili—the incurables. Beyond it, the waterfront was bordered by what could be an institution of some sort. That was hardly reassuring. But as she went on, she noticed that the houses along the waterfront were tall, attractive buildings, even if some could do with sprucing up and a coat of fresh paint. This put a spring into her step, along with the wind that drove her from behind. She came to the section of the waterfront called the Zattere allo Spirito Santo—of the Holy Spirit—and finally, after another bridge, close to the tip of the island, there was the Al Saloni. She checked the numbers, which weren’t in any kind of order, until she found herself standing outside a tall building with faded blue shutters at the windows. The pale cream stucco was peeling, showing the brickwork underneath, but there were steps leading to an impressive double front door. She double-checked the address. Yes, this was correct.

“Wow,” she said. She reached into her purse and took out the big key. But as she touched the front door, it swung open. She stepped into a dark and gloomy foyer. Doors were open on either side, and there was a distinct smell of new paint. From the back of the building came the sound of hammering. The building was being renovated. A broad marble staircase curved upward. She had only gone up the first few steps when someone shouted, behind her.

“Signora? Cosa vuole? Dove sta andando?”

She turned back to see a man standing in the doorway. The collar of his overcoat had been turned up, and he had raindrops on his hair.

“I’m sorry,” she said. “I’m afraid I don’t speak Italian.”

He came towards her, a finger raised in warning. “I ask what you do here. This is a private house. Not a place for tourists. There is nothing to see here. You must leave now.”

“It’s all right,” she said. “I’m not a tourist. I have come to see the property I have just inherited.”

“Then you are mistaken.” He had reached her stair. She noticed now that he was tall, broad shouldered and quite good-looking, even if he was scowling at her. “This building belongs to the Da Rossi Corporation. As you can see, it is currently being renovated. It has been empty for many years. Let me escort you to the door.”

“This is Dorsoduro 1482?”

“Yes. That is correct.”

She fumbled in her purse and brought out the document. “Then it seems that I have a lease to the fourth floor.”