Chapters (54)
- TITLE PAGE
- COPYRIGHT PAGE
- DEDICATION
- CONTENTS
- PROLOGUE: VENICE, 1940
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
The night wind had become cold, and Caroline closed the shutters again. Maybe tomorrow would reveal some answers.
The next morning the sparkling weather was replaced with dark clouds and the threat of rain. She ate breakfast inside as raindrops peppered the windows. There was no point in going out just to become wet and miserable. Maybe, if it cleared up, she might try her hand at sketching. She would need a book and a pen, of course. That would involve locating an art shop. When the weather cleared by mid-morning, she set off in the direction of St Mark’s again, splashing through puddles, her collar turned up against the chilly wind. In spite of all the speciality shops, she didn’t come across one that sold art supplies. Lunchtime was approaching, and she was feeling grumpy and hungry. Why was she wasting her time here? To prove she was as good an artist as Aunt Lettie? Would that give some meaning to being here?
When she reached St Mark’s Square, she went into the Correr Museum and browsed in their shop. “Where could I find art supplies?” she asked the woman behind the counter and was directed to a street on the other side of the square. “Under the famous clock and then turn right,” the woman had told her.
It had started to rain again, and she kept to the colonnade until she found the clock. A crowd of tourists had gathered, and the bells high in the campanile rang out. Oh, it must be noon, of course, she thought, and paused to watch as the animated clock came to life. This put her in a better mood as she ducked through the archway to the Calle Larga San Marco behind the square. She passed a bank and realized she should probably get more money if coffees were going to be that expensive and restaurants wanted cash. As she went up to the ATM, she glanced up. It was a reputable bank, wasn’t it? One couldn’t be too careful. And then she froze. The sign that swung in the breeze said, “Banco San Marco,” and the logo was exactly like the lion that crowned her key.
Feeling rather stupid, she forced herself to go inside. She asked who might speak English.
“Scusi,” she said to a man sitting at a desk behind a glass partition, “but I have this key, and I wondered if it has anything to do with your bank?”
He took it, examined it and nodded. “Of course. It is an old key from one of our vaults. A very old key.”
“I see. Thank you,” she said. She couldn’t think what else to say. As she turned away, the man called after her. “Do you not wish to access the vault now?” he asked.
She stared in surprise. “That key is still good? After all these years?”