Back The Venice Sketchbook
Chapters (54)
  1. TITLE PAGE
  2. COPYRIGHT PAGE
  3. DEDICATION
  4. CONTENTS
  5. PROLOGUE: VENICE, 1940
  6. CHAPTER 1
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. CHAPTER 5
  11. CHAPTER 6
  12. CHAPTER 7
  13. CHAPTER 8
  14. CHAPTER 9
  15. CHAPTER 10
  16. CHAPTER 11
  17. CHAPTER 12
  18. CHAPTER 13
  19. CHAPTER 14
  20. CHAPTER 15
  21. CHAPTER 16
  22. CHAPTER 17
  23. CHAPTER 18
  24. CHAPTER 19
  25. CHAPTER 20
  26. CHAPTER 21
  27. CHAPTER 22
  28. CHAPTER 23
  29. CHAPTER 24
  30. CHAPTER 25
  31. CHAPTER 26
  32. CHAPTER 27
  33. CHAPTER 28
  34. CHAPTER 29
  35. CHAPTER 30
  36. CHAPTER 31
  37. CHAPTER 32
  38. CHAPTER 33
  39. CHAPTER 34
  40. CHAPTER 35
  41. CHAPTER 36
  42. CHAPTER 37
  43. CHAPTER 38
  44. CHAPTER 39
  45. CHAPTER 40
  46. CHAPTER 41
  47. CHAPTER 42
  48. CHAPTER 43
  49. CHAPTER 44
  50. CHAPTER 45
  51. CHAPTER 46
  52. CHAPTER 47
  53. ACKNOWLEDGMENTS
  54. ABOUT THE AUTHOR

The night wind had become cold, and Caroline closed the shutters again. Maybe tomorrow would reveal some answers.

The next morning the sparkling weather was replaced with dark clouds and the threat of rain. She ate breakfast inside as raindrops peppered the windows. There was no point in going out just to become wet and miserable. Maybe, if it cleared up, she might try her hand at sketching. She would need a book and a pen, of course. That would involve locating an art shop. When the weather cleared by mid-morning, she set off in the direction of St Mark’s again, splashing through puddles, her collar turned up against the chilly wind. In spite of all the speciality shops, she didn’t come across one that sold art supplies. Lunchtime was approaching, and she was feeling grumpy and hungry. Why was she wasting her time here? To prove she was as good an artist as Aunt Lettie? Would that give some meaning to being here?

When she reached St Mark’s Square, she went into the Correr Museum and browsed in their shop. “Where could I find art supplies?” she asked the woman behind the counter and was directed to a street on the other side of the square. “Under the famous clock and then turn right,” the woman had told her.

It had started to rain again, and she kept to the colonnade until she found the clock. A crowd of tourists had gathered, and the bells high in the campanile rang out. Oh, it must be noon, of course, she thought, and paused to watch as the animated clock came to life. This put her in a better mood as she ducked through the archway to the Calle Larga San Marco behind the square. She passed a bank and realized she should probably get more money if coffees were going to be that expensive and restaurants wanted cash. As she went up to the ATM, she glanced up. It was a reputable bank, wasn’t it? One couldn’t be too careful. And then she froze. The sign that swung in the breeze said, “Banco San Marco,” and the logo was exactly like the lion that crowned her key.

Feeling rather stupid, she forced herself to go inside. She asked who might speak English.

“Scusi,” she said to a man sitting at a desk behind a glass partition, “but I have this key, and I wondered if it has anything to do with your bank?”

He took it, examined it and nodded. “Of course. It is an old key from one of our vaults. A very old key.”

“I see. Thank you,” she said. She couldn’t think what else to say. As she turned away, the man called after her. “Do you not wish to access the vault now?” he asked.

She stared in surprise. “That key is still good? After all these years?”