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Chapters (54)
  1. TITLE PAGE
  2. COPYRIGHT PAGE
  3. DEDICATION
  4. CONTENTS
  5. PROLOGUE: VENICE, 1940
  6. CHAPTER 1
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. CHAPTER 5
  11. CHAPTER 6
  12. CHAPTER 7
  13. CHAPTER 8
  14. CHAPTER 9
  15. CHAPTER 10
  16. CHAPTER 11
  17. CHAPTER 12
  18. CHAPTER 13
  19. CHAPTER 14
  20. CHAPTER 15
  21. CHAPTER 16
  22. CHAPTER 17
  23. CHAPTER 18
  24. CHAPTER 19
  25. CHAPTER 20
  26. CHAPTER 21
  27. CHAPTER 22
  28. CHAPTER 23
  29. CHAPTER 24
  30. CHAPTER 25
  31. CHAPTER 26
  32. CHAPTER 27
  33. CHAPTER 28
  34. CHAPTER 29
  35. CHAPTER 30
  36. CHAPTER 31
  37. CHAPTER 32
  38. CHAPTER 33
  39. CHAPTER 34
  40. CHAPTER 35
  41. CHAPTER 36
  42. CHAPTER 37
  43. CHAPTER 38
  44. CHAPTER 39
  45. CHAPTER 40
  46. CHAPTER 41
  47. CHAPTER 42
  48. CHAPTER 43
  49. CHAPTER 44
  50. CHAPTER 45
  51. CHAPTER 46
  52. CHAPTER 47
  53. ACKNOWLEDGMENTS
  54. ABOUT THE AUTHOR

Francesca comes once a week to clean when I am not at home but every day to cook and shop for me when I am there. With Christmas around the corner, I came back into the city to try to do some shopping at the holiday markets, which are still taking place outside the churches. I wanted to give the contessa something, and Hanni, and of course Angelo. I tried to think what the contessa might like and wondered if I dared to paint a picture for her. She who has old masters hanging from her walls. But she is a patron of the Biennale, which, I’m told, will take place as usual next year, war or no war. So I have been painting her an abstract. Professor Corsetti has been out to visit the contessa several times and has encouraged me to keep painting. I showed him the portrait I was painting of Angelo and he made good suggestions. But now it is almost finished, and I am quite proud of it.

The contessa’s new gardener, Peter—or rather Pietro now—is building Angelo a wooden engine he can ride on. Angelo and I returned to the city for a few days. I felt guilty if I was not doing the job I had promised to do, and I wanted to shop for Christmas presents. So I left Angelo in Francesca’s care and went to the market to see if there were any oranges or sweets, also to find something for Hanni, and found a little glass flute that actually plays. And in my favourite bookshop a couple of books in German. I don’t want her to forget her native language. I couldn’t think what to get for Francesca, who is so completely practical, so I decided she wouldn’t be offended if I gave her some money. Living with the contessa much of the time has meant that I have not used my monthly allowance. I have offered to pay my share for food, but she has turned me down. I’m exceedingly grateful because I have no ration card. I don’t quite know what I’d do without her and Francesca. And Hanni. I have become so fond of that girl. In some ways she is wise beyond her years and affectionate, too. It was as if having a baby has somehow opened my heart to the possibility of love. I love it when she sees me coming and rushes to hug me. The contessa adores her.

“If anything happens to me, Juliet,” she said the other day, “I have made a provision in my will that she will be taken care of and her university will be paid for. She deserves a good life.”

“Don’t say that about anything happening to you,” I said, giving an involuntary shudder. “You’ve said many times that Jewish people in Venice are safe.”