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Chapters (54)
  1. TITLE PAGE
  2. COPYRIGHT PAGE
  3. DEDICATION
  4. CONTENTS
  5. PROLOGUE: VENICE, 1940
  6. CHAPTER 1
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. CHAPTER 5
  11. CHAPTER 6
  12. CHAPTER 7
  13. CHAPTER 8
  14. CHAPTER 9
  15. CHAPTER 10
  16. CHAPTER 11
  17. CHAPTER 12
  18. CHAPTER 13
  19. CHAPTER 14
  20. CHAPTER 15
  21. CHAPTER 16
  22. CHAPTER 17
  23. CHAPTER 18
  24. CHAPTER 19
  25. CHAPTER 20
  26. CHAPTER 21
  27. CHAPTER 22
  28. CHAPTER 23
  29. CHAPTER 24
  30. CHAPTER 25
  31. CHAPTER 26
  32. CHAPTER 27
  33. CHAPTER 28
  34. CHAPTER 29
  35. CHAPTER 30
  36. CHAPTER 31
  37. CHAPTER 32
  38. CHAPTER 33
  39. CHAPTER 34
  40. CHAPTER 35
  41. CHAPTER 36
  42. CHAPTER 37
  43. CHAPTER 38
  44. CHAPTER 39
  45. CHAPTER 40
  46. CHAPTER 41
  47. CHAPTER 42
  48. CHAPTER 43
  49. CHAPTER 44
  50. CHAPTER 45
  51. CHAPTER 46
  52. CHAPTER 47
  53. ACKNOWLEDGMENTS
  54. ABOUT THE AUTHOR

“Ah. A practical young woman.” She paused. “I admire you. I was not so noble in my youth. I was much younger than you when I found myself pregnant, unable to support a child, and instead had an abortion. Not a thing I would recommend. It was certainly taboo. I had it done in a back room, no sterilization. I nearly died. But in my day it was not possible to raise a child as an unmarried mother.” She reached out and gripped my hand with that birdlike claw of hers. “You can always come and live with me, you know. I take in strays. I enjoy your company.”

I felt tears welling up. “That’s so kind of you, and I have to admit it’s tempting, but I have a nice little flat of my own now in Dorsoduro. It’s close to my art classes.”

“Pity. I could have used your help with the planning for the Biennale. It opens in May, you know.”

“It’s going to go ahead, in spite of the war?”

She chuckled. “We in Venice do not let a small thing like a war get in the way of art. Of course, the number of countries will be limited: the Germans, the Russians have both already committed to their pavilions. The Americans, too. I’m afraid the art will reek heavily of propaganda this year, but it gives our Italian artists a chance to display their work—and our Jewish artists-in-exile, too.”

Fleuron Image

In the new year I received a frosty letter from my mother, thanking me for the Christmas gifts and saying she was glad I enjoyed the food and the scarf. I appreciate your concern for us, she wrote, and the desire to keep providing financially, but all sorts of jobs are now opening up for women in war work—factories and even the armed forces. I read on. Aunt Hortensia says that if you really do not intend to return until the end of your year abroad, we should offer your room to evacuees from London. So many people are leaving the city with the threat of bombing looming in the future.

So now it appeared that if I decided to come home, I wouldn’t have a place to stay, even if I wanted one.

Carnevale was going ahead in spite of the war. It seemed the whole city dressed up and celebrated in the days leading up to Shrove Tuesday, the day before Lent started. There were masks for sale on every street corner, costumes in every shop. I didn’t plan to participate, but Henry persuaded me to buy a mask and a long cape and go out amongst the crowds. It was exciting and a little alarming to see the strange figures, some with beaks, some dressed as Pierrots and Columbines, but all anonymous beneath their masks.