Back The Venice Sketchbook
Chapters (54)
  1. TITLE PAGE
  2. COPYRIGHT PAGE
  3. DEDICATION
  4. CONTENTS
  5. PROLOGUE: VENICE, 1940
  6. CHAPTER 1
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. CHAPTER 5
  11. CHAPTER 6
  12. CHAPTER 7
  13. CHAPTER 8
  14. CHAPTER 9
  15. CHAPTER 10
  16. CHAPTER 11
  17. CHAPTER 12
  18. CHAPTER 13
  19. CHAPTER 14
  20. CHAPTER 15
  21. CHAPTER 16
  22. CHAPTER 17
  23. CHAPTER 18
  24. CHAPTER 19
  25. CHAPTER 20
  26. CHAPTER 21
  27. CHAPTER 22
  28. CHAPTER 23
  29. CHAPTER 24
  30. CHAPTER 25
  31. CHAPTER 26
  32. CHAPTER 27
  33. CHAPTER 28
  34. CHAPTER 29
  35. CHAPTER 30
  36. CHAPTER 31
  37. CHAPTER 32
  38. CHAPTER 33
  39. CHAPTER 34
  40. CHAPTER 35
  41. CHAPTER 36
  42. CHAPTER 37
  43. CHAPTER 38
  44. CHAPTER 39
  45. CHAPTER 40
  46. CHAPTER 41
  47. CHAPTER 42
  48. CHAPTER 43
  49. CHAPTER 44
  50. CHAPTER 45
  51. CHAPTER 46
  52. CHAPTER 47
  53. ACKNOWLEDGMENTS
  54. ABOUT THE AUTHOR

“Of course,” he said. “Who else would talk to God on our behalf?”

I said nothing but realized that I would probably never understand the Venetians. A strong, cold wind greeted us as we came out to the waterfront called Zattere. How well I remembered when the bridge of boats had crossed to Giudecca. Now the wide promenade was almost deserted. We turned left and passed an impressive church.

“The Jesuits,” Leo said. “They do everything splendidly. No expense spared.” Finally we came close to the tip of the island, and Leo paused in front of a tall and quite imposing yellow building with blue shutters.

“Here?” I asked, looking at the three marble steps leading up to a front door with a lion’s head knocker on it. “Who lives here?”

“Nobody at the moment,” he said. “The building belongs to my family. The lower floors are offices but are little used at the moment as we have transferred most of our business to the shipping terminal. But come. Let me show you.”

He took out a large key and opened the front door. We stepped into the gloom of a foyer, the only light coming from a skylight several floors above, giving the feeling of being in an aquarium. A marble staircase curved upward. Leo led the way. The staircase up to the next landing was less impressive, being made of simple wood.

“I’m sorry about the stairs,” he said, “but you will have your privacy.”

We came to a halt on a dark landing, and Leo felt around for a light switch. When he turned it on, I saw several doors, but he opened one into what looked like a broom cupboard.

“You see?” he said, going into a small anteroom stacked with odds and ends, then opening the door at the rear. “The building was designed in the old days when there was smuggling and people needed to disappear occasionally. There are several of these secret apartments in the city. Most people will think it just leads to the roof, because that’s what it says on the door. Come.”

And he started up the fourth staircase, this one extremely narrow. We came out into a big room, and I gasped. Windows looked out to a magnificent view—across to Giudecca, the island of San Giorgio Maggiore and even around to the St Mark’s Basin.

“It’s good?” Leo asked, looking pleased at my expression.

“It’s magnificent.”