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Chapters (54)
  1. TITLE PAGE
  2. COPYRIGHT PAGE
  3. DEDICATION
  4. CONTENTS
  5. PROLOGUE: VENICE, 1940
  6. CHAPTER 1
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. CHAPTER 5
  11. CHAPTER 6
  12. CHAPTER 7
  13. CHAPTER 8
  14. CHAPTER 9
  15. CHAPTER 10
  16. CHAPTER 11
  17. CHAPTER 12
  18. CHAPTER 13
  19. CHAPTER 14
  20. CHAPTER 15
  21. CHAPTER 16
  22. CHAPTER 17
  23. CHAPTER 18
  24. CHAPTER 19
  25. CHAPTER 20
  26. CHAPTER 21
  27. CHAPTER 22
  28. CHAPTER 23
  29. CHAPTER 24
  30. CHAPTER 25
  31. CHAPTER 26
  32. CHAPTER 27
  33. CHAPTER 28
  34. CHAPTER 29
  35. CHAPTER 30
  36. CHAPTER 31
  37. CHAPTER 32
  38. CHAPTER 33
  39. CHAPTER 34
  40. CHAPTER 35
  41. CHAPTER 36
  42. CHAPTER 37
  43. CHAPTER 38
  44. CHAPTER 39
  45. CHAPTER 40
  46. CHAPTER 41
  47. CHAPTER 42
  48. CHAPTER 43
  49. CHAPTER 44
  50. CHAPTER 45
  51. CHAPTER 46
  52. CHAPTER 47
  53. ACKNOWLEDGMENTS
  54. ABOUT THE AUTHOR

“It is the least I could do.”

Suddenly there was a loud banging behind us, and another group of children appeared in the alleyway. Leo laughed and retrieved coins from his pocket. They must have been generous coins, because the children went away singing loudly with smiles on their faces. But I stood still, trying to come to terms with what had just happened. At the banging noise, I had felt a twitch in my stomach. I had slipped my hand inside my coat and there it was again—a tiny tapping against my hand. My baby was alive, and I could feel its kick. This changed everything and made it real.

“What’s wrong?” Leo asked.

“Nothing,” I replied, smiling. “I just felt the baby move for the first time.”

“Really? Let me.” He didn’t seem to care that we were on a street. He slipped his hand inside my coat, and I directed it to the right spot. The baby obliged by another fluttering movement. A look of delighted amazement came over Leo. “It’s real . . .” His eyes said everything.

November 12

Today I summoned all my courage and went to the contessa’s soirée to meet the famous artist Paul Klee. Imelda had said she wasn’t interested and didn’t like Paul Klee’s work. I think the truth was that she had met a handsome Italian student and seemed to be spending more time with him now that Gaston had gone home. But Henry, dear sweet Henry, had said he’d like to come. We had been spending more time together in the last weeks. I think he was also now beginning to experience homesickness and worry about the possible spectre of war overtaking us so far from home. It was a mental relief for me to have a conversation in English.

My first shock was that my long dress was now too tight for me. I would have to see if it could be altered. But I couldn’t go in a tea dress! Then I decided that I could hold the gap together with safety pins and make sure I wore my fringed shawl, suitably draped. I met Henry, and we rode to the Lido together in the vaporetto. I was praying that Leo’s father was not there and more especially that Leo would not come in the launch to pick him up. Both prayers were granted. Professor Corsetti and two other professors from the accademia were present, as was the British consul, Mr Sinclair, and the jolly priest, Father Trevisan. Vittorio was naturally there, hovering protectively near the contessa. Paul Klee spoke little Italian and seemed rather withdrawn, but the contessa, with her usual charm, managed to bring him out of his shell. His English was better, and I found myself speaking to him, along with Henry and the consul.