Chapters (54)
- TITLE PAGE
- COPYRIGHT PAGE
- DEDICATION
- CONTENTS
- PROLOGUE: VENICE, 1940
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
“Not noble at all,” she said. “A righteous duty. They are my kinsmen, my fellow Jews. They reminded you I am Jewish, I’m sure.”
“They did,” I said. “Are you not worried for your own safety? Isn’t there an anti-Jewish sentiment in Italy, too?”
“There is, but not like in Germany, and certainly not in Venice. We are a tolerant people. Jews have lived here since the Middle Ages. And in my own case the Venetians value art above all else. Why, we are already planning for next year’s Biennale. How is that for optimism? We fully intend to hold an international art festival when half the world may be at war. As a major patron of the arts here, I am too valuable to them. Without people like me, there would be no Biennale.” She reached across and patted my hand. “So you see, my dear, you do not need to worry for my safety.” She paused, her hand resting on mine. “But what about you? You choose to stay and not go running home to safety?”
“I’ve been debating this,” I said. “At this moment I am a little lost. I have no classes, nothing to do. My mother wants me home. But I am committed to looking after my landlady’s cat, so I can’t go anywhere until she returns. And frankly I don’t want to leave. I love it here—everything about it: the colours, the sounds, the people, the food. Everything is so alive. Everybody knows they are alive. If I go home, it will be to silent evenings, sitting in the parlour and listening to the ticking of the clock until my mother turns on the nine o’clock news and we go to bed.”
“Then you are right to stay,” she said. “You cannot live someone else’s life. Your life is what you make of it. You have to decide what you want.”
“What I want is what I can’t have,” I wanted to say but didn’t.
The young man reappeared, carrying a tray on which there was a jug of freshly squeezed lemonade and a plate of various goodies—biscuits dusted in powdered sugar, marzipan fruits and small cakes studded with candied peel. He poured glasses for us and offered me the plate. I took one of each, realizing a little too late that when I bit into the biscuit the powdered sugar would fly all over my navy dress.
“Danke, Josef,” the contessa said, switching to German. I saw a flash of alarm on the man’s face, but she gave him a reassuring gesture. “It is all right,” she said, using English now. “The young lady knows about you. She is from England. All is well.”
He gave me a shy smile.
“Josef is a fine painter,” she went on. “He is lucky I was able to get him out.”