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Chapters (54)
  1. TITLE PAGE
  2. COPYRIGHT PAGE
  3. DEDICATION
  4. CONTENTS
  5. PROLOGUE: VENICE, 1940
  6. CHAPTER 1
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. CHAPTER 5
  11. CHAPTER 6
  12. CHAPTER 7
  13. CHAPTER 8
  14. CHAPTER 9
  15. CHAPTER 10
  16. CHAPTER 11
  17. CHAPTER 12
  18. CHAPTER 13
  19. CHAPTER 14
  20. CHAPTER 15
  21. CHAPTER 16
  22. CHAPTER 17
  23. CHAPTER 18
  24. CHAPTER 19
  25. CHAPTER 20
  26. CHAPTER 21
  27. CHAPTER 22
  28. CHAPTER 23
  29. CHAPTER 24
  30. CHAPTER 25
  31. CHAPTER 26
  32. CHAPTER 27
  33. CHAPTER 28
  34. CHAPTER 29
  35. CHAPTER 30
  36. CHAPTER 31
  37. CHAPTER 32
  38. CHAPTER 33
  39. CHAPTER 34
  40. CHAPTER 35
  41. CHAPTER 36
  42. CHAPTER 37
  43. CHAPTER 38
  44. CHAPTER 39
  45. CHAPTER 40
  46. CHAPTER 41
  47. CHAPTER 42
  48. CHAPTER 43
  49. CHAPTER 44
  50. CHAPTER 45
  51. CHAPTER 46
  52. CHAPTER 47
  53. ACKNOWLEDGMENTS
  54. ABOUT THE AUTHOR

Caroline found she was holding her breath as she took a tentative step into the big silent room. As if on cue, the sun came out between billowing black clouds, sending a shaft of sunlight on to the water of the Giudecca Canal and the lagoon beyond. Caroline gave a small gasp of happiness. “It’s wonderful,” she whispered.

“Signora,” the man began, stepping up. “Or is it signorina?”

“It’s signora,” she replied, feeling uneasy about his hand touching her but not knowing how to shake him off without seeming rude. She turned to face him. “I am in the middle of a divorce. My husband moved to New York.” She felt stupid as soon as she had said it, as if she had wanted to let him know that she was available. Ridiculous.

“Signora,” he went on, “I am afraid that this document is a fraud. Somebody pulled the wool over your aunt’s eyes. Isn’t that the English expression?” He went to take it from her. “Now, if you will permit, I will take this to the Da Rossi lawyer, and he can verify if it is authentic or not.”

Caroline held on to the piece of paper. “You must think me very naive,” she said. “Do you think I’d let you take away the only proof that this apartment belongs to me? Something inconvenient would happen to it. It would fly out of a window, into a canal. ‘Oh dear. What a shame. So sorry.’”

“Oh no, I assure you . . . ,” he began, but she cut him off.

“Do not worry, signor. I will take it personally to your city hall. I am sure they can check it against their records of the time to see if it is still valid, and also check whether my aunt later sold her lease.”

She put the document back into her purse and started to walk around the room, pulling a dust cover off the item of furniture in the window. It proved to be a handsome inlaid lemonwood desk. “Oh.” She ran her hands over it. That Aunt Lettie had ever owned something as lovely . . . She opened a drawer and found it full of sheets of paper.

She took the top sheet out, gasped and looked up with a small, triumphant smile.

“Well,” she said, holding it up to the man, “I think this proves that my aunt once owned this flat, don’t you?” It was a drawing of the scene outside the window, and it was signed JB . “There you are. Juliet Browning. My great-aunt. She was an artist. I have some of her artwork with me, and I can tell you that this was done by her.”

“Juliet Browning?” He was still frowning. “An artist? Why would the Da Rossi family ever lease this place to a foreign artist? I don’t think they were ever great patrons of the arts.”

“Is there any older family member who might know?” she asked.