Chapters (54)
- TITLE PAGE
- COPYRIGHT PAGE
- DEDICATION
- CONTENTS
- PROLOGUE: VENICE, 1940
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
“It was.” The contessa was looking pleased and excited. “I heard about it through the grapevine, and Vittorio managed to meet with the artist and bring it out under a perfectly horrible pastoral scene by a Nazi-approved painter.”
“So this artist is not a Nazi favourite, I suppose?” Mr Sinclair asked.
“Not only is he not a Nazi favourite, but he is Jewish,” she said. “We have begged him to leave while he can, but he has aged parents and they won’t go anywhere, and so he stays. I have told him I’ll put them up here, but he stays and he paints. Asking for trouble, I’m afraid.”
“In which city does he live?” Franz asked.
“In Stuttgart. By day he is an engineer at the Mercedes-Benz plant. He thinks he is safe because his division is making armoured cars and he is a valued member of the team. His paintings are signed under his pseudonym, and nobody knows he paints but his friends outside of Germany.”
“He is running a big risk, I’m afraid,” Mr Sinclair said.
“Yes. There are many like him, who keep on with their small, defiant protests, against all odds. Brave boys and girls.”
Imelda touched my hand. “We should probably leave soon if we want to take the ten o’clock vaporetto. If we miss that, we have to wait until eleven thirty, and the last one is always so crowded.”
“Good idea. Thank you,” I said and went to round up Henry.
“So you really think this is the future of art, do you, Gabriella?” I heard Count Da Rossi say. “No more beauty? For me, I would have preferred the Nazi pastoral scene.”
“But you have no soul, Massimo. I’ve always known that.”
Franz was examining the painting carefully, and I wondered if he was looking for a signature. Was it possible that Henry was right and he was a German spy? I was glad the artist was signing his pictures with a pseudonym.
I went up to the contessa and thanked her for the lovely evening, saying we had to catch our vaporetto.
“Of course, my darling,” she said. “But you are welcome at any time. To all my soirées. And come to tea one day, just you and me and a good British tea party, eh?”
“Don’t tell me you have real British tea,” I said, laughing. “All the tea I have had here is so pale and tasteless.”
“But my dear, I import mine from Harrods,” she said. “Where else?”
She reached forward and gave me a little kiss on my cheek. I’m afraid I blushed. I wasn’t used to being kissed by countesses. We took our farewells and started down the boulevard and back to the dock. A sizeable crowd was there, waiting for the vaporetto.
“I hope we can all get on,” Henry said. “We’ll be squashed like sardines.”