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Chapters (54)
  1. TITLE PAGE
  2. COPYRIGHT PAGE
  3. DEDICATION
  4. CONTENTS
  5. PROLOGUE: VENICE, 1940
  6. CHAPTER 1
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. CHAPTER 5
  11. CHAPTER 6
  12. CHAPTER 7
  13. CHAPTER 8
  14. CHAPTER 9
  15. CHAPTER 10
  16. CHAPTER 11
  17. CHAPTER 12
  18. CHAPTER 13
  19. CHAPTER 14
  20. CHAPTER 15
  21. CHAPTER 16
  22. CHAPTER 17
  23. CHAPTER 18
  24. CHAPTER 19
  25. CHAPTER 20
  26. CHAPTER 21
  27. CHAPTER 22
  28. CHAPTER 23
  29. CHAPTER 24
  30. CHAPTER 25
  31. CHAPTER 26
  32. CHAPTER 27
  33. CHAPTER 28
  34. CHAPTER 29
  35. CHAPTER 30
  36. CHAPTER 31
  37. CHAPTER 32
  38. CHAPTER 33
  39. CHAPTER 34
  40. CHAPTER 35
  41. CHAPTER 36
  42. CHAPTER 37
  43. CHAPTER 38
  44. CHAPTER 39
  45. CHAPTER 40
  46. CHAPTER 41
  47. CHAPTER 42
  48. CHAPTER 43
  49. CHAPTER 44
  50. CHAPTER 45
  51. CHAPTER 46
  52. CHAPTER 47
  53. ACKNOWLEDGMENTS
  54. ABOUT THE AUTHOR

I found myself staring into the face of a man with military bearing, iron-grey hair and a face that was definitely an older version of Leo’s. Why had he not mentioned that his father was a count?

The count must have seen my alarm because he gave me a friendly smile. “You need not look so worried,” he said, “I do not bite, I assure you.”

“It is good of you to grace us with your presence, Count,” the contessa said. She addressed me. “The count is not normally known as a big patron of the arts.”

“I resent that,” Count Da Rossi said. “I have great appreciation of real art. Invite me to a showing of Caravaggio or Leonardo or even Renoir, and I’ll be there in an instant. I appreciate beauty. But you cannot tell me that a woman with two heads, one eye and three breasts is a work of beauty!”

“Not all art is meant to be beautiful,” Professor Corsetti said. “It is meant to evoke an emotional response, maybe to stir anger or sadness even.”

“And what response would this lady with one eye and three breasts evoke?” the count demanded. “Pity? Loathing?”

“Perhaps fascination?”

The count shook his head.

“But you came anyway,” the contessa said, “even though you knew I was going to reveal a new piece of artwork.”

“I could not resist your presence, dear Contessa,” he said.

“Flatterer. But where is your son, and the adorable Bianca?”

“She was not willing to make the arduous trip across the lagoon,” he said with a smile.

“She is not well? In the family way, perhaps?”

“Not that I know of. We can hope,” Count Da Rossi said. “No, I rather think it was the company that did not excite her. Too many of us are old and boring.”

“Rubbish!” the contessa exclaimed. “Speak for yourself. I may be old, but nobody could ever claim that I was boring, could they, darling?” She turned to Vittorio.

“Absolutely not, cara mia.”

I studied this with interest. So the relationship was maybe more than gallery owner and patron, yet he must be at least thirty years her junior. But she was still an attractive woman, with such lively eyes.

“You do not have a drink.” The countess took my hand and led me away from Leo’s father. I was still a little shaken and so relieved that Leo and Bianca were not present.

“Ah, here is a friendly face,” Countess Fiorito said, switching to English as she paused next to a man standing beside the drinks table. He was dressed in a very English blazer. “Mr Reginald Sinclair, His Majesty’s consul here in Venice. Reggie, darling, one of your fellow countrymen, or rather countrywomen. Miss Browning.”