Chapters (54)
- TITLE PAGE
- COPYRIGHT PAGE
- DEDICATION
- CONTENTS
- PROLOGUE: VENICE, 1940
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
I found myself staring into the face of a man with military bearing, iron-grey hair and a face that was definitely an older version of Leo’s. Why had he not mentioned that his father was a count?
The count must have seen my alarm because he gave me a friendly smile. “You need not look so worried,” he said, “I do not bite, I assure you.”
“It is good of you to grace us with your presence, Count,” the contessa said. She addressed me. “The count is not normally known as a big patron of the arts.”
“I resent that,” Count Da Rossi said. “I have great appreciation of real art. Invite me to a showing of Caravaggio or Leonardo or even Renoir, and I’ll be there in an instant. I appreciate beauty. But you cannot tell me that a woman with two heads, one eye and three breasts is a work of beauty!”
“Not all art is meant to be beautiful,” Professor Corsetti said. “It is meant to evoke an emotional response, maybe to stir anger or sadness even.”
“And what response would this lady with one eye and three breasts evoke?” the count demanded. “Pity? Loathing?”
“Perhaps fascination?”
The count shook his head.
“But you came anyway,” the contessa said, “even though you knew I was going to reveal a new piece of artwork.”
“I could not resist your presence, dear Contessa,” he said.
“Flatterer. But where is your son, and the adorable Bianca?”
“She was not willing to make the arduous trip across the lagoon,” he said with a smile.
“She is not well? In the family way, perhaps?”
“Not that I know of. We can hope,” Count Da Rossi said. “No, I rather think it was the company that did not excite her. Too many of us are old and boring.”
“Rubbish!” the contessa exclaimed. “Speak for yourself. I may be old, but nobody could ever claim that I was boring, could they, darling?” She turned to Vittorio.
“Absolutely not, cara mia.”
I studied this with interest. So the relationship was maybe more than gallery owner and patron, yet he must be at least thirty years her junior. But she was still an attractive woman, with such lively eyes.
“You do not have a drink.” The countess took my hand and led me away from Leo’s father. I was still a little shaken and so relieved that Leo and Bianca were not present.
“Ah, here is a friendly face,” Countess Fiorito said, switching to English as she paused next to a man standing beside the drinks table. He was dressed in a very English blazer. “Mr Reginald Sinclair, His Majesty’s consul here in Venice. Reggie, darling, one of your fellow countrymen, or rather countrywomen. Miss Browning.”