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Contents ( 6)
  1. THE VAMPIRE ARMAND
  2. Anne Rice
  3. PART ONE
  4. PART TWO
  5. PART THREE
  6. Document Outline

I was ecstatic.

I had not merely a sword but a dagger.

Such trust. Of course I was lamblike to these others, and pretty much a lamb to myself. But never had anyone entrusted to me such bronze and steel weapons. Again, memory played its tricks. I knew how to throw a wooden spear, how to ... Alas, it became a wisp of smoke, and there lay in the air around it that I'd been committed not to weapons, but to something else, something immense which exacted all I could give it. Weapons were forbidden for me.

Well, no more. No more, no more, no more. Death had swallowed me whole and thrown me forth here. In the palazzo of my Master, in a salon of brilliantly painted battle scenes, with maps upon the ceiling, with windows of thick molded glass, I drew my sword with a great singing sound and pointed it at the future. With my dagger, after examining the emeralds and rubies of its handle, I sliced an apple in two with a gasp.

The other boys laughed at me. But it was all friendly, kind.

Soon the Master would come. Look. From room to room the youngest fellows among us, little boys who had not come out with us, now moved quickly, lifting their tapers to torches and candelabra. I stood in the door, looking to yet another and another and another. Light burst forth soundlessly in each of these rooms.

A tall man, very shadowy and plain, came in with a tattered book in his hand. His long thin hair and plain wool robe were black. His small eyes were cheerful, but his thin mouth was colorless and belligerently set.

The boys all groaned.

High narrow windows were closed against the cooler night air.

In the canal below, men sang as they drove their long narrow gondolas, voices seeming to ring, to splash up the walls, delicate, sparkling, then dying away.

I ate the apple to the last juicy speck of it. I had eaten more in this day of fruit, meat, bread, sweets and candy than a human being could possibly eat. I wasn't human. I was a hungry boy.

The teacher snapped his fingers, then took from his belt a long switch and cracked it against his own leg. "Come now," he said to the boys.

I looked up as the Master appeared.

All the boys, big and tall, babyfied and manly, ran to him and embraced him and clung to his arms as he made his inspection of the painting they had done by the long day.

The teacher waited in silence, giving the Master a humble bow.

Through the galleries we walked, the entire company, the teacher trailing behind.

The Master held out his hands, and it was a privilege to feel the touch of his cold white fingers, a privilege to catch a part of his long thick trailing red sleeves.

"Come, Amadeo, come with us."

I wanted one thing only, and it came soon enough.