I stopped in my tracks to listen to it. I had never heard the notes quite as limpid and translucent, quite as flashing and exquisitely distinct. I tried for sheer pleasure to divine the differences between this performance and so many I'd heard in the past.

They were all different, magical and profoundly affecting, but this was passing spectacular, helped in slight measure by the immense body of what I knew to be a concert grand.

For a moment, a misery swept over me, a terrible, gripping memory of what I'd seen when I drank Lestat's blood the night before. I let myself relive it, as we say so innocently, and then with a positive blush of pleasant shock, I realized that I didn't have to tell anyone about it, that it was all dictated to David and that when he gave me my copies, I could entrust them to whomever I loved, who would ever want to know what I'd seen.

As for myself, I wouldn't try to figure it out. I couldn't. The feeling was too strong that whom I had seen on the road to Calvary, whether He was real or a figment of my own guilty heart, had not wanted me to see Him and had monstrously turned me away.

Indeed the feeling of rejection was so total that I could scarce believe that I had managed to describe it to David.

I had to get the thoughts out of my mind. I banished all reverberations of this experience and let myself fall into Sybelle's music again, merely standing under the oaks, with the eternal river breeze, which can reach you anywhere in this place, cooling me and soothing me and making me feel that the Earth itself was filled with irrepressible beauty, even for someone such as I.

The music of the Third Movement built to its most brilliant climax, and I thought my heart would break.

It was only then, as the final bars were played out, that I realized something which should have been obvious to me from the start.

It wasn't Sybelle playing this music. It couldn't be. I knew every nuance of Sybelle's interpretations. I knew her modes of expression; I knew the tonal qualities that her particular touch invariably produced. Though her interpretations were infinitely spontaneous, nevertheless I knew her music, as one knows the writing of another or the style of a painter's work. This wasn't Sybelle.

And then the real truth dawned on me. It was Sybelle, but Sybelle was no longer Sybelle.

For a second I couldn't believe it. My heart stopped in my chest.

Then I walked into the house, a steady furious walk that would have stopped for nothing but to find the truth of what I believed.

In an instant I saw it with my own eyes. In a splendid room, they were gathered together, the beautiful lithe figure of Pandora in a gown of brown silk, girdled at the waist in the old Grecian style, Marius in a light velvet smoking jacket over silk trousers, and my children, my beautiful children, radiant Benji in his white gown, dancing barefoot and wildly around the room with his fingers flung out as if to grasp the air in them, and Sybelle, my gorgeous Sybelle, with her arms bare too in a dress of deep rose silk, at the piano, her long hair swept back over her shoulders, just striding into the First Movement again.