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Contents ( 6)
  1. THE VAMPIRE ARMAND
  2. Anne Rice
  3. PART ONE
  4. PART TWO
  5. PART THREE
  6. Document Outline

I knew nothing of such things. The crosses snatched from virgin necks were melted down to make my golden rings. And rosaries cast aside with other paste as thieving fingers, mine, tore off a victim's diamond buttons.

I developed in those eight decades of the Theatre des Vampires- we weathered the Revolution with amazing resiliency, the public clamoring to our seemingly frivolous and morbid entertainments-and maintained, long after the theatre was gone, into the late twentieth century a silent, concealed nature, letting my childlike face deceive my adversaries, my would-be enemies (I rarely took them seriously) and my vampire slaves.

I was the worst of leaders, that is, the indifferent cold leader who strikes fear in the hearts of everyone but bothers to love no one, and I maintained the Theatre des Vampires, as we called it well into the 1870s, when Lestat's child Louis came wandering into it, seeking the answers which his cocky insolent maker had never given him to the age-old questions: Where do we vampires come from? Who made us and for what?

Ah, but before I discourse on the coming of the famous and irresistible vampire Louis, and his small exquisite paramour, the vampire Claudia, let me relate one tiny incident that happened to me in the earlier years of the nineteenth century.

It may mean nothing; or perhaps it is the betrayal of another's secret existence. I don't know. I relate it only because it touches fancifully, if not certainly, upon one who has played a dramatic role in my tale.

I cannot mark the year of this little event. Let me say only that Chopin's lovely, dreamy piano music was well revered in Paris, that the novels of George Sand were the rage, and that women had already given up the slender lascivious gowns of the Empire to wear the huge heavy-skirted, small-waisted taffeta dresses in which they appear so often in old shining daguerreotypes.

The theatre was booming as one would say in modern parlance, and I, the manager, having grown tired of its performances, was wandering alone one night in the wooded land just beyond the glow of Paris, not far from a country house full of merry voices and blazing chandeliers.

It was there that I came upon another vampire.

I knew her immediately by her silence, lack of scent and the near divine grace with which she made her way through the wild brush, managing a fall flowing cape and abundant skirt with small pale hands, her goal the nearby brilliantly lighted and beckoning windows.

She realized my presence almost as quickly as I sensed hers; quite alarming to me at my age and with my powers. She froze without turning her head.

Though the vicious vampire players of the theatre maintained their right to do away with mavericks or intruders among the Undead, I, the leader, after my years as deluded saint, did not give a damn for such things.

I meant the creature no harm, and, carelessly, I tossed out in a soft casual voice, speaking in French, a warning.