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"Why did you do it, Armand?" he said. "Oh, the Veil has Christ on it, in some form, no doubt of it, it did seem to be the Holy Veil of Veronica, and God knows, thousands of others believed it, yes, but why in your case, why? It was blazingly beautiful, yes, I grant you that, Christ with His thorns and His blood, and His eyes gazing right at us, both of us, but why did you believe it so completely, Armand, after so long? Why did you go to Him? That's what you tried to do, didn't you?"
I shook my head. I made my words soft and pleading.
"Back up, scholar," I said, turning around slowly. "Mind your page. This is for you, and for Sybelle. Oh, it's for my little Benji too. But in a way, it's my symphony for Sybelle. The story begins a long time ago. Maybe I've never truly realized how long ago, until this very moment. You listen and write. Let me be the one to cry and to rant and to rail."
Chapter Two
I look at my hands. I think of the phrase "not made by human hands." I know what this means, even though every time I ever heard the phrase said with emotion it had to do with what had come from my hands.
I'd like to paint now, to pick up a brush and try it the way I did it then, in a trance, furiously, once and for only, every line and mass of color, each blending, each decision final.
Ah, I'm so disorganized, so browbeaten by what I remember.
Let me choose a place to begin.
Constantinople-newly under the Turks, by that I mean a Moslem City for less than a century when I was brought there, a slave boy, captured in the wild lands of his country for which he barely knew the proper name: the Golden Horde.
Memory had already been choked out of me, along with language, or any capacity to reason in a consistent way. I remember the squalid rooms that must have been Constantinople because other people talked, and for the first time in forever, since I'd been ripped out of what I couldn't remember, I could understand what people said.
They spoke Greek, of course, these traders who dealt in slaves for brothels in Europe.
They knew no religious allegiance, which was all I knew, pitifully devoid of detail.
I was thrown down on a thick Turkey carpet, the fancified rich floor covering one saw in a palace, a display rug for high-priced goods.
My hair was wet and long; someone had brushed it enough to hurt me. All those personal things that were mine had been stripped from me and from my memory. I was naked beneath an old frayed tunic of gold cloth. It was hot and damp in the room.
I was hungry, but having no hope of food, I knew this to be a pain that would spike and then, of its own, die away. The tunic must have given me a castoff glory, the shimmer of a fallen angel. It had long bell sleeves and came to my knees.