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The Twist of a Knife

Anthony Horowitz
Contents ( 57)
  1. Anthony Horowitz
  2. About the Author
  3. 1
  4. Separate Ways
  5. 2
  6. Mindgame
  7. 3
  8. First Night
  9. 4
  10. The First Review
  11. 5
  12. Daggers Drawn
  13. 6
  14. One Phone Call
  15. 7
  16. The Custody Clock
  17. 8
  18. Palgrove Gardens
  19. 9
  20. Seven Suspects
  21. 10
  22. Dressing Room 5
  23. 11
  24. Star Quality
  25. 12
  26. Another Knife
  27. 13
  28. A Run of Bad Luck
  29. 14
  30. Premonitions
  31. 15
  32. Clerkenwell at Night
  33. 16
  34. Frost and Longhurst
  35. 17
  36. Extract from Bad Boys by Harriet Throsby
  37. 18
  38. Moxham Hall
  39. 19
  40. Long Shadows
  41. 20
  42. Past Crimes
  43. 21
  44. The Jai Mahal
  45. 22
  46. Safe House
  47. 23
  48. Nothing Personal
  49. 24
  50. Back to the Vaudeville
  51. 25
  52. Final Act
  53. 26
  54. The Dotted Line
  55. Acknowledgements
  56. THIS IS JUST THE BEGINNING
  57. Footnote
Penguin Random House

Anthony Horowitz

THE TWIST OF A KNIFE

Penguin Random House

About the Author

Bestselling author Anthony Horowitz has written two highly acclaimed Sherlock Holmes novels, The House of Silk and Moriarty; three James Bond novels, Trigger Mortis, Forever and a Day and With a Mind to Kill; four Detective Hawthorne novels, The Word is Murder, The Sentence is Death, A Line To Kill, and The Twist of a Knife, and the acclaimed bestselling mystery novels Magpie Murders and Moonflower Murders.

He is also the author of the teen spy Alex Rider series, and responsible for creating and writing some of the UK’s most loved and successful TV series, including Midsomer Murders and Foyle’s War.

In January 2022 he was awarded a CBE for his services to literature.

Also by Anthony Horowitz

The House of Silk

Moriarty

Trigger Mortis

Magpie Murders

The Word is Murder

Forever and a Day

The Sentence is Death

Moonflower Murders

A Line to Kill

For Sophia and Iona, joining the family

1

Separate Ways

‘I’m sorry, Hawthorne. But the answer’s no. Our deal is over.’

I hated arguing with Hawthorne. It wasn’t just that I invariably lost. He managed to make me feel bad about even trying to win. Those murky brown eyes of his could be quite ferocious when he was on the attack, but the moment I challenged him they would suddenly become hurt and defensive and I would find myself backtracking and apologising even though I was quite sure I was right. I’ve said this before, but there was something childlike about his moods. I never really knew where I was with him, which made it almost impossible to write about him and that, as it happened, was exactly what we were discussing now.

I had followed Hawthorne on three investigations and these had led to three books. The first had been published. The second was being read by my agent (although she’d had it for two and a half weeks and I hadn’t heard a word). I would start writing the third at the end of the year and I was confident it wasn’t going to be difficult because of course I’d already lived through it and knew what happened in the end. I had agreed to a three-book contract and as far as I was concerned, three was enough.

I hadn’t seen Hawthorne for a while. From the amount of crime fiction you’ll find in bookshops and on TV, you’d think someone is being murdered every hour of the day, but fortunately real life isn’t like that and several months had passed since we had got back from the island of Alderney, leaving just three bodies behind. I had no idea what he’d been up to in that time and, to be honest, he hadn’t been very much in my thoughts.