Now it was Josh’s turn to slap the wheel in glee as the Freightliner edged back and pulled over, falling prey to the police car like an antelope brought down by hyenas. Josh was alone with his good Christian lady again, and part of him wished she had CB so he could share the joke, and more important so that she could thank him for his betrayal of colleagues in the name of chivalry. But the exit ahead seemed to be the one she wanted, maybe from choice, or maybe just to get off the highway and away from her persecutors. She started to brake and signal. Josh braked in response and was surprised when she slowed to a crawl. There was nothing for it but to pass, so he swung the rig out and changed down accordingly. As the bulk of the Peterbilt moved past the woman’s tiny car, now peeling away at a snail’s pace towards the exit ramp, Josh Spiller threw a look across at her.

From her open window an elegant arm emerged in farewell, and on the end of that arm, stabbing the air repeatedly like it was trying to puncture an invisible skin, was a deeply un-Christian middle finger.

He’d fumbled in the plastic ledge above the dash for a good thirty seconds, initially finding only an evil knot of Jelly Bellies that had fused together in the heat of the cab, before his fingers closed on the cassette he wanted. The sun was almost visible now, and Josh urgently wanted to get his chosen track lined up before it was too late.

He flipped the tape out of the plastic junk-filled canyon and slotted it quickly into the stereo. It came on halfway through some terrible and elderly Doors number. Wrong. So wrong he wished he’d never included the track on this jumbled and hastily assembled compilation. He pressed fast forward, waited and then let it play again.

Aerosmith. He cursed silently. That meant that it was rewinding, not going forward.

The sky to his right was now growing light so fast that a ridiculous mixture of anxiety and frustration tightened his chest. He took out the tape and reinserted it. The machine didn’t like the way he did it and slid it back out at him again. The sky had now gone way past pink, turning into the luminous aquamarine that heralds the first glorious golden shards of sunlight, as he slammed the troublesome cassette back in and pressed fast forward again. Two pauses and he was there.

Josh couldn’t say why he fancied this track most to greet the dawn, but he did. It was old but it was tranquil. A song off some weird album by a British band called The Blue Nile that Elizabeth’s kid brother had loaned him.