‘You must be joking.’
‘To celebrate.’
Steve, God help me, also does positivity better than I do. I give him a stare that should nip that in the bud. ‘Celebrate what?’
He grins. Steve is thirty-three, a year older than me, but he looks younger: maybe the schoolboy build, all gangly legs and skinny shoulders; maybe the orange hair that sticks up in the wrong places; or maybe the relentless godawful cheerfulness. ‘We got them, did you not notice?’
‘Your granny could’ve got those two.’
‘Probably. And she’d’ve gone for a pint after.’
‘She was an alco, yeah?’
‘Total lush. I’m just trying to live up to her standards.’ He heads for the printer and starts sorting pages. ‘Come on.’
‘Nah. Another time.’ I don’t have it in me. I want to go home, go for a run, stick something in the microwave and fry my brain with shite telly, and then get some sleep before I have to do it all over again.
The door bangs open and O’Kelly, our superintendent, sticks his head in, early as usual to see if he can catch anyone asleep. Mostly he arrives all rosy and shiny, smelling of shower and fry-up, every line of his combover in place – I can’t prove it’s to rub it in to the tired bastards stinking of night shift and stale Spar danishes, but it would be in character. This morning, at least he looks ragged around the edges – eyebags, tea-stain on his shirt – which I figure is probably my bit of satisfaction for the day used up right there.
‘Moran. Conway,’ he says, eyeing us suspiciously. ‘Anything good come in?’
‘Street fight,’ I say. ‘One victim.’ Forget the hit to your social life: the real reason everyone hates night shift is that nothing good ever comes in. The high-profile murders with complex back-stories and fascinating motives might happen at night, sometimes, but they don’t get discovered till morning. The only murders that get noticed at night are by drunk arseholes whose motive is that they’re drunk arseholes. ‘We’ll have the reports for you now.’
‘Kept you busy, anyway. You sort it?’
‘Give or take. We’ll tie up the loose ends tonight.’
‘Good,’ O’Kelly says. ‘Then you’re free to work this.’ And he holds up a call sheet.
Just for a second, like a fool, I get my hopes up. If a case comes in through the gaffer, instead of through our admin straight to the squad room, it’s because it’s something special. Something that’s going to be so high-profile, or so tough, or so delicate, it can’t just go to whoever’s next on the rota; it needs the right people. One straight from the gaffer hums through the squad room, makes the lads sit up and take notice. One straight from the gaffer would mean me and Steve have finally, finally, worked our way clear of the losers’ corner of the playground: we’re in.
I have to close my fist to stop my hand reaching out for that sheet. ‘What is it?’