Contents ( 41)
- Contents
- Sailing to Byzantium
- I
- THE TALE OF THE BODY THIEF
- CHAPTER ONE
- CHAPTER TWO
- CHAPTER THREE
- CHAPTER FOUR
- CHAPTER FIVE
- CHAPTER SIX
- CHAPTER SEVEN
- CHAPTER EIGHT
- CHAPTER NINE
- CHAPTER TEN
- CHAPTER ELEVEN
- CHAPTER TWELVE
- CHAPTER THIRTEEN
- CHAPTER FOURTEEN
- CHAPTER FIFTEEN
- CHAPTER SIXTEEN
- CHAPTER SEVENTEEN
- CHAPTER EIGHTEEN
- CHAPTER NINETEEN
- CHAPTER TWENTY
- CHAPTER TWENTY-ONE
- CHAPTER TWENTY-TWO
- CHAPTER TWENTY-THREE
- CHAPTER TWENTY-FOUR
- CHAPTER TWENTY-FIVE
- CHAPTER TWENTY-SIX
- CHAPTER TWENTY-SEVEN
- CHAPTER TWENTY-EIGHT
- II
- ONCE OUT OF NATURE
- The Dolls
- CHAPTER TWENTY-NINE
- CHAPTER THIRTY
- CHAPTER THIRTY-ONE
- CHAPTER THIRTY-TWO
- CHAPTER THIRTY-THREE
- CHAPTER ABOUT THE AUTHOR
Some of the windows of this house were without glass, and only now and then did he bolt the old-fashioned louvered shutters. He did not seem to care if the rain came in on his possessions because they weren’t really possessions. Just junk heaped here and there.
But again, I think he wanted me to do something about it. It’s amazing how often he came to visit me in my overheated and brilliantly illuminated rooms downtown. There he watched my giant television screen for hours. Sometimes he brought his own films for it on disk or tape. The Company of Wolves, that was one which he watched over and over. Beauty and the Beast, a French film by Jean Cocteau, also pleased him mightily. Then there was The Dead, a film made by John Huston from a story by James Joyce. And please understand this film has nothing to do with our kind whatsoever; it is about a fairly ordinary group of mortals in Ireland in the early part of this century who gather for a convivial supper on Little Christmas night. There were many other films which delighted him. But these visits could never be commanded by me, and they never lasted very long. He often deplored the “rank materialism” in which I “wallowed” and turned his back on my velvet cushions and thickly carpeted floor, and lavish marble bath. He drifted off again, to his forlorn and vine-covered shack.
Tonight, he sat there in all his dusty glory, an ink smudge on his white cheek, poring over a large cumbersome biography of Dickens, recently written by an English novelist, turning the pages slowly, for he is no faster at reading than most mortals. Indeed of all of us survivors he is the most nearly human. And he remains so by choice.
Many times I’ve offered him my more powerful blood. Always, he has refused it. The sun over the Gobi Desert would have burnt him to ashes. His senses are finely tuned and vampiric, but not like those of a Child of the Millennia. He cannot read anyone’s thoughts with much success. When he puts a mortal into a trance, it’s always a mistake.
And of course I cannot read his thoughts because I made him, and the thoughts of the fledgling and master are always closed to each other, though why, no one of us knows. My suspicion is that we know a great deal of each other’s feelings and longings; only the amplification is too loud for any distinct image to come clear. Theory. Someday perhaps they will study us in laboratories. We will beg for live victims through the thick glass walls of our prisons as they ply us with questions, and extract samples of blood from our veins. Ah, but how do that to Lestat who can burn another to cinders with one decisive thought?
Louis didn’t hear me in the high grass outside his little house.
I slipped into the room, a great glancing shadow, and was already seated in my favorite red velvet bergère—I’d long ago brought it there for myself—opposite him when he looked up.