Contents ( 41)
- Contents
- Sailing to Byzantium
- I
- THE TALE OF THE BODY THIEF
- CHAPTER ONE
- CHAPTER TWO
- CHAPTER THREE
- CHAPTER FOUR
- CHAPTER FIVE
- CHAPTER SIX
- CHAPTER SEVEN
- CHAPTER EIGHT
- CHAPTER NINE
- CHAPTER TEN
- CHAPTER ELEVEN
- CHAPTER TWELVE
- CHAPTER THIRTEEN
- CHAPTER FOURTEEN
- CHAPTER FIFTEEN
- CHAPTER SIXTEEN
- CHAPTER SEVENTEEN
- CHAPTER EIGHTEEN
- CHAPTER NINETEEN
- CHAPTER TWENTY
- CHAPTER TWENTY-ONE
- CHAPTER TWENTY-TWO
- CHAPTER TWENTY-THREE
- CHAPTER TWENTY-FOUR
- CHAPTER TWENTY-FIVE
- CHAPTER TWENTY-SIX
- CHAPTER TWENTY-SEVEN
- CHAPTER TWENTY-EIGHT
- II
- ONCE OUT OF NATURE
- The Dolls
- CHAPTER TWENTY-NINE
- CHAPTER THIRTY
- CHAPTER THIRTY-ONE
- CHAPTER THIRTY-TWO
- CHAPTER THIRTY-THREE
- CHAPTER ABOUT THE AUTHOR
If you read my autobiographical books, The Vampire Lestat and The Queen of the Damned, you know all about me, also. You know our history, for what it’s worth—and history is never worth too much—and how we came into being thousands of years ago and that we propagate by carefully giving the Dark Blood to mortals when we wish to take them along the Devil’s Road with us.
But you don’t have to read those works to understand this one. And you won’t find here the cast of thousands that crowded The Queen of the Damned, either. Western civilization will not for one second teeter on the brink. And there will be no revelations from ancient times or old ones confiding half-truths and riddles and promising answers that do not in fact exist and never have existed.
No, I have done all that before.
This is a contemporary story. It’s a volume in the Vampire Chronicles, make no mistake. But it is the first really modern volume, for it accepts the horrifying absurdity of existence from the start, and it takes us into the mind and the soul of its hero—guess who?—for its discoveries.
Read this tale, and I will give you all you need to know about us as you turn the pages. And by the way, lots of things do happen! I’m a man of action as I said—the James Bond of the vampires, if you will—called the Brat Prince, and the Damnedest Creature, and “you monster” by various and sundry other immortals.
The other immortals are still around, of course—Maharet and Mekare, the eldest of us all, Khayman of the First Brood, Eric, Santino, Pandora, and others whom we call the Children of the Millennia. Armand is still about, the lovely five-hundred-year-old boy-faced ancient who once ruled the Théâtre des Vampires, and before that a coven of devil worshiping blood drinkers who lived beneath the Paris Cemetery, Les Innocents. Armand, I hope, will always be around.
And Gabrielle, my mortal mother and immortal child will no doubt turn up one of these nights sometime before the end of another thousand years, if I’m lucky.
As for Marius, my old teacher and mentor, the one who kept the historical secrets of our tribe, he is still with us and always will be. Before this tale began, he would come to me now and then to scold and plead: Would I not stop my careless kills which invariably found their way into the pages of mortal newspapers! Would I not stop deviling my mortal friend David Talbot, and tempting him with the Dark Gift of our blood? Better we make no more, did I not know this?
Rules, rules, rules. They always wind up talking about rules. And I love to break the rules the way mortals like to smash their crystal glasses after a toast against the bricks of the fireplace.
But enough about the others. The point is—this is my book from start to finish.
Let me speak now of the dreams that had come to trouble me in my wanderings.