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Contents ( 41)
  1. Contents
  2. Sailing to Byzantium
  3. I
  4. THE TALE OF THE BODY THIEF
  5. CHAPTER ONE
  6. CHAPTER TWO
  7. CHAPTER THREE
  8. CHAPTER FOUR
  9. CHAPTER FIVE
  10. CHAPTER SIX
  11. CHAPTER SEVEN
  12. CHAPTER EIGHT
  13. CHAPTER NINE
  14. CHAPTER TEN
  15. CHAPTER ELEVEN
  16. CHAPTER TWELVE
  17. CHAPTER THIRTEEN
  18. CHAPTER FOURTEEN
  19. CHAPTER FIFTEEN
  20. CHAPTER SIXTEEN
  21. CHAPTER SEVENTEEN
  22. CHAPTER EIGHTEEN
  23. CHAPTER NINETEEN
  24. CHAPTER TWENTY
  25. CHAPTER TWENTY-ONE
  26. CHAPTER TWENTY-TWO
  27. CHAPTER TWENTY-THREE
  28. CHAPTER TWENTY-FOUR
  29. CHAPTER TWENTY-FIVE
  30. CHAPTER TWENTY-SIX
  31. CHAPTER TWENTY-SEVEN
  32. CHAPTER TWENTY-EIGHT
  33. II
  34. ONCE OUT OF NATURE
  35. The Dolls
  36. CHAPTER TWENTY-NINE
  37. CHAPTER THIRTY
  38. CHAPTER THIRTY-ONE
  39. CHAPTER THIRTY-TWO
  40. CHAPTER THIRTY-THREE
  41. CHAPTER ABOUT THE AUTHOR

“I will live here again as soon as you are finished,” I said to him. “So you must hurry. And, another caution. Anything you find in these premises—hidden in the old plaster—you must give to me.”

What a pleasure it was to stand beneath these high ceilings, and what a joy it would be to see them when the soft crumbling moldings were once more restored. How free and quiet I felt. The past was here, but it wasn’t here. No whispering ghosts anymore, if there had ever been.

Slowly I described the chandeliers I wanted; when the proper labels eluded me, I drew pictures in words for him of what had once been there. I would have oil lamps here and there, also, though of course there must be limitless electricity, and we would conceal the various television screens in handsome cabinets, not to mar the effect. And there, a cabinet for my videotapes and laser disks, and again, we should find something suitable—a painted Oriental press would do the trick. Hide the telephones.

“And a facsimile machine! I must have one of those little marvels! Find someplace to conceal it as well. Why, you can use that room as an office, only make it gracious and beautiful. Nothing must be visible which is not made of polished brass, fine wool, or lustrous wood, or silk or cotton lace. I want a mural in that bedroom. Here, I shall show you. But look, see the wallpaper? That’s the very mural. Bring in a photographer and record every inch and then begin your restoration. Work diligently but very fast.”

Finally we were finished with the dark damp interior. It was time to discuss the courtyard in the back with its broken fountain, and how the old kitchen must be restored. I would have bougainvillea and the Queen’s Wreath, how I love the Queen’s Wreath, and the giant hibiscus, yes, I had just seen this lovely flower in the Caribbean, and the moonflower, of course. Banana trees, give me those as well. Ah, the old walls are tumbling. Patch them. Shore them up. And on the back porch above, I want ferns, all manner of delicate ferns. The weather’s warming again, isn’t it? They will do well.

Now, upstairs, once more, through the long brown hollow of the house and to the front porch.

I broke open the French doors and went out on the rotted boards. The fine old iron railings were not so badly rusted. The roof would have to be remade of course. But I would soon be sitting out here as I did now and then in the old days, watching the passersby on the other side of the street.

Of course the faithful and zealous readers of my books would spot me here now and then. The readers of Louis’s memoir, come to find the flat where we had lived, would surely recognize the house.

No matter. They believed in it, but that’s different from believing it. And what was another young blond-faced man, smiling at them from a high balcony, his arms resting on the rail? I should never feed upon those tender, innocent ones—even when they bare their throats at me and say, “Lestat, right here!” (This has happened, reader, in Jackson Square, and more than once.)