Back The Sweetest Fruits
Chapters (16)
  1. Cover Page
  2. Praise for The Sweetest Fruits
  3. About the Author
  4. Title Page
  5. Copyright
  6. Dedication
  7. Elizabeth Bisland: (1861–1929)
  8. Rosa Antonia Cassimati: (1823–1882)
  9. Elizabeth Bisland: (1861–1929)
  10. Alethea Foley: (1853–1913)
  11. Elizabeth Bisland: (1861–1929)
  12. Koizumi Setsu: (1868–1932)
  13. Elizabeth Bisland: (1861–1929)
  14. Afterword
  15. Acknowledgments
  16. Back Cover

I had never considered, Kazuo, how daunting it could be to name oneself until Papa was faced with it. We were all born to a name, our first gift and not our last if we were lucky. Though you did not ask—as Papa never did—I will share with you, Kazuo, that if I were faced with the choice, I would give to myself the “Setsu” of a node of bamboo. The other meanings are heavier stones to carry.

Papa was hesitant to come to a decision, which was a trait that I did not know that he had. Foster Grandfather’s “Yakumo,” sent from the very province that it honors, was so fitting that Papa could not stop saying it aloud. “Yakumo is a poem in and of itself,” Papa marveled. He took you from Mama’s arms and paraded you in his own, going through the rooms of the Kōbe house, singing in Herun-san’s language and then in English, “Koizumi Kazuo Leopoldo meet Koizumi Yakumo! Koizumi Kazuo Leopoldo meet Koizumi Yakumo!”

Yakumo, your eldest son listened to my story, but I cannot say with certainty that he has forgiven the writer who saw a little girl in a cemetery—Was there even such a being, Yakumo?—and saw for her a fate worse than death. I have done what I can to assure Kazuo that the writer and Papa were no longer the same man.

What I could not tell Kazuo about the story of his birth was that, before his arrival, you had been in misery. When you traveled there, you stayed for days in the nest that your beddings had become. In misery, you refused to allow in sunlight or even a breeze. In misery, you complained of pains in your eye and wore on it, day and night, a cloth soaked in cool water. In misery, you existed on a diet of whiskey, which made you sing to yourself late into the night. What these songs mourned or regretted, I could not tell, because they were in the language of your birth.

Yes, Yakumo, I know. English is not the language of your birth. It is the language of your Father’s.

“Mother did not know English,” you had told me.

“How did Father and Mother speak?” I asked.

“Father knew some of her languages,” you replied, “but it was not enough.”

In Herun-san’s language, “not enough” and the word “hunger” were one and the same.

As with the lanterns at Matsue Castle and the storm cloud in your left eye, “hunger” made me see them, Yakumo. Your Father and Mother sitting across from each other, their plates half empty, wanting for more.

Perhaps in misery, your songs were in English and other languages as well. They were all foreign to me, Yakumo. When I waited for your return, I slept on the other side of the closed dividers to your room, and there I heard you. “A-e-TE-A” came from your lips most often. When “A-e-TE-A” began your forlorn songs, you could not finish them. Whiskey slurred your words, but “A-e-TE-A” silenced them, Husband.