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Chapters (54)
  1. Cover
  2. The Summer Queen
  3. Dedication Page
  4. Family Tree of King George III
  5. Family Tree of Queen Victoria
  6. PART ONE
  7. Chapter One
  8. Chapter Two
  9. Chapter Three
  10. Chapter Four
  11. Chapter Five
  12. Chapter Six
  13. Chapter Seven
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. PART TWO
  21. Chapter Fourteen
  22. Chapter Fifteen
  23. Chapter Sixteen
  24. Chapter Seventeen
  25. Chapter Eighteen
  26. Chapter Nineteen
  27. Chapter Twenty
  28. Chapter Twenty-One
  29. Chapter Twenty-Two
  30. Chapter Twenty-Three
  31. Chapter Twenty-Four
  32. PART THREE
  33. Chapter Twenty-Five
  34. Chapter Twenty-Six
  35. Chapter Twenty-Seven
  36. Chapter Twenty-Eight
  37. Chapter Twenty-Nine
  38. Chapter Thirty
  39. Chapter Thirty-One
  40. Chapter Thirty-Two
  41. PART FOUR
  42. Chapter Thirty-Three
  43. Chapter Thirty-Four
  44. Chapter Thirty-Five
  45. Chapter Thirty-Six
  46. Chapter Thirty-Seven
  47. Chapter Thirty-Eight
  48. Chapter Thirty-Nine
  49. Chapter Forty
  50. Chapter Forty-One
  51. Acknowledgements
  52. Select Bibliography
  53. The Summer Queen
  54. By Margaret Pemberton

Phili was a poet, a playwright, a composer and a singer. The hours he spent turning the pages for Phili as, accompanying himself on the piano, he sang Nordic ballads of his own composition were hours that Willy could only describe as sublime. How could he ever feel such mental and spiritual unity with Dona, who didn’t have an artistic or intellectual bone in her body? The answer was that he couldn’t.

It mystified him that Dona couldn’t see how her scenes and tantrums only resulted in his wanting to spend even less time with her, not more. He couldn’t imagine Ella behaving in such a way, no matter what the provocation; or the calm, cool and collected May Teck. All in all, he felt himself very badly done by. So much so that the mask of all-powerful arrogant and boastful confidence behind which he permanently hid was, during rows about Phili, in danger of slipping – and he couldn’t let that happen. Not when he was with Dona. Not when he was with anyone.

At the moment Phili was at Liebenberg, his family estate in Rhine-Westphalia. Reliving his last hideous scene with Dona had done Willy no good at all and, in desperate need of Phili’s reassuring presence, he decided that Liebenberg was where he needed to be without a second’s delay.

‘Westphalia!’ he roared to his clutch of long-suffering and always present aides-de-camp. ‘We leave instantly.’ He slammed his fist down on his desk and ink-pots clattered and pens rolled. ‘Don’t just stand there, dolts! Action! Action!’

Not for one second did he expect to find Phili alone at Liebenberg. Phili was far too popular for that to be likely. Phili would be surrounded by friends – always male – who, like him, all regarded themselves as being artistically inclined. Their nickname was ‘the Liebenberg Circle’, and all Willy’s moments of happiness and relaxation occurred when he was counted amongst their number. He relished the applause the Circle gave to the practical jokes he loved playing; jokes that were always, of course, played by him, and never on him. He loved the masculine horseplay that was indulged in, and the hilarious, near-to-the-knuckle skits they all took part in. But first, of course, he and Phili would have time together privately; time to talk about matters the rest of the Circle were not privy to; time for Willy to bare his heart to Phili about the misery of his married life.

‘She is killing me with her tantrums and her demands!’ he said, a break in his voice and on the verge of tears. ‘Truly, Phili, I do not think the woman is in her right mind.’

‘Then if she isn’t, my dear Kaiser, perhaps a sanatorium?’

‘But the children? She is so kind and good to the children. If she was to go into a sanatorium, the children would never forgive me.’