“The tears rolled from beneath the shrivelled eyelids. If Truth had appeared above him in the clouds now he could not have seen her, the mist of death was in his eyes.

“‘My soul hears their glad step coming,’ he said; ‘and they shall mount! they shall mount!’ He raised his shrivelled hand to his eyes.

“Then slowly from the white sky above, through the still air, came something falling, falling, falling. Softly it fluttered down, and dropped on to the breast of the dying man. He felt it with his hands. It was a feather. He died holding it.”

The boy had shaded his eyes with his hand. On the wood of the carving great drops fell. The stranger must have laughed at him, or remained silent. He did so.

“How did you know it?” the boy whispered at last.

“It is not written there — not on that wood. How did you know it?”

“Certainly,” said his stranger, “the whole of the story is not written here, but it is suggested. And the attribute of all true art, the highest and the lowest, is this — that it says more than it says, and takes you away from itself. It is a little door that opens into an infinite hall where you may find what you please. Men, thinking to detract, say, ‘People read more in this or that work of genius than was ever written in it,’ not perceiving that they pay the highest compliment. If we pick up the finger and nail of a real man, we can decipher a whole story — could almost reconstruct the creature again, from head to foot. But half the body of a Mumboo-jumbow idol leaves us utterly in the dark as to what the rest was like. We see what we see, but nothing more. There is nothing so universally intelligible as truth. It has a thousand meanings, and suggests a thousand more.” He turned over the wooden thing. “Though a man should carve it into matter with the least possible manipulative skill, it will yet find interpreters. It is the soul that looks out with burning eyes through the most gross fleshly filament. Whosoever should portray truly the life and death of a little flower — its birth, sucking in of nourishment, reproduction of its kind, withering and vanishing — would have shaped a symbol of all existence. All true facts of nature or the mind are related. Your little carving represents some mental facts as they really are, therefore fifty different true stories might be read from it. What your work wants is not truth, but beauty of external form, the other half of art.” He leaned almost gently towards the boy. “Skill may come in time, but you will have to work hard. The love of beauty and the desire for it must be born in a man; the skill to reproduce it he must make. He must work hard.”

“All my life I have longed to see you,” the boy said.