The Silence
THE SILENCE
Susan Allott
Copyright
The Borough Press
An imprint of HarperCollinsPublishers Ltd
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
First published in Great Britain by HarperCollinsPublishers 2020
Copyright © Susan Allott 2020
Cover design by Sim Greenaway © HarperCollinsPublishers Ltd 2020
Cover image © jax10289 / Alamy Stock Photo (house), Shutterstock.com (tear)
Susan Allott asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008389772
Ebook Edition © April 2020 ISBN: 9780008389789
Version: 2021-03-08
Praise for The Silence:
‘A riveting mystery, beautifully unwound. The Silence excavates dark, decades-old secrets buried in human hearts, in families and in nations. I read it in one weekend’
ERIN KELLY
‘A darkly gripping and addictive read. I tore through it in a few days’
ESTHER FREUD
‘Deeply engrossing … an exquisite literary thriller’
PHILIPPA EAST, author of Little White Lies
‘Allott uses the scandal of Australia’s stolen children to devastating effect in this memorable debut’
SUNDAY TIMES
‘An atmospheric, convincing portrayal of the way that the decisions we make, both individually and collectively, reverberate down the years’
GUARDIAN
‘Emotionally wrenching’
WALL STREET JOURNAL
‘An impressive and beautifully written, Australian-set debut with the devastating subject of the Stolen Generation at its core’
FIONA MITCHELL, author of The Swap
‘Tense, atmospheric and brilliantly paced. The Silence is fraught with disturbing secrets and powerful emotions. I loved it’
FRANCESCA JAKOBI, author of Bitter
‘A suspenseful, beautifully crafted debut for fans of Celeste Ng and Jane Harper’
TELEGRAPH AUSTRALIA
‘Intricate and suspenseful … [a] stellar debut’
NEW YORK JOURNAL OF BOOKS
‘A suspense-filled story set in Australia, highlighting the effects of an official policy that has haunted generations. Allott’s prose builds an incredibly convincing portrayal of the destruction caused by dysfunctional relationships. A fantastic debut’
NIKKI SMITH, author of All in Her Head
‘A poignant literary mystery, impossible to put down. One of those books that stops you rushing to your next read for fear it won’t compare’
TREVOR WOOD, author of The Man on the Street
‘A brooding, suspenseful debut’
SUNDAY MIRROR
‘A compelling account of loyalty, familial trust and distrust’
LANCASHIRE TIMES
‘A compelling and powerful read. Susan Allott is a writer to watch’
HOOKED FROM PAGE ONE
‘An unsettling portrayal of unhappy marriage, alcohol abuse and a dark chapter of history, with a plot that grips like an anaconda’
SAGA MAGAZINE
Dedication
For David
Contents
Cover
Title Page
Copyright
Praise for The Silence
Dedication
Chapter 1: London, 1997
Chapter 2: Sydney, 1966
Chapter 3: Ivanhoe, New South Wales, 1966
Chapter 4: Sydney, 1967
Chapter 5: Sydney, 1967
Chapter 6: Sydney, 1997
Chapter 7: Sydney, 1967
Chapter 8: Sydney, 1967
Chapter 9: Sydney, 1967
Chapter 10: Sydney, 1967
Chapter 11: Sydney, 1997
Chapter 12: Sydney, 1967
Chapter 13: Sydney, 1967
Chapter 14: Sydney, 1997
Chapter 15: Sydney, 1967
Chapter 16: Sydney, 1967
Chapter 17: Leeds, 1967
Chapter 18: Sydney, 1967
Chapter 19: Sydney, 1997
Chapter 20: Sydney, 1967
Chapter 21: Ivanhoe, 1967
Chapter 22: Leeds, 1967
Chapter 23: Sydney, 1997
Chapter 24: Sydney, 1967
Chapter 25: Sydney, 1997
Chapter 26: Sydney, 1967
Chapter 27: Sydney, 1967
Chapter 28: Sydney, 1997
Chapter 29: Sydney, 1967
Chapter 30: Sydney, 1967
Chapter 31: New South Wales, 1997
Chapter 32: Sydney, 1967
Chapter 33: Sydney, 1967
Chapter 34: Sydney, 1997
Chapter 35: Sydney, 1967
Chapter 36: Sydney, 1967
Chapter 37: Sydney, 1997
Chapter 38: Sydney, 1967
Chapter 39: Leeds, 1967
Chapter 40: Sydney, 1967
Chapter 41: Sydney, 1997
Chapter 42: Sydney, 1967
Chapter 43: Victoria, 1967
Chapter 44: Sydney, 1997
Chapter 45: Victoria, 1967
Chapter 46: Sydney, 1967
Chapter 47: Sydney 1997
Chapter 48: Sydney, 1997
Chapter 49: Sydney, 1997
Chapter 50: Sydney, 1997
Chapter 51: Victoria, 1967
Chapter 52: New South Wales, 1997
Chapter 53: Leeds, 1967
Chapter 54: Sydney, 1997
Author’s Note
Notes
A note about language
Acknowledgements
Questions for Reading Groups
Erin Kelly interviews Susan Allott
About the Author
About the Publisher
1
London, 1997
In a basement flat in Hackney, the telephone rings. It’s two in the morning. Isla Green stands in the hallway, pyjamaed, barely awake. She is entirely sober. A good thing, if a little fragile; a little surprising. No tide of shame waits for her, no bloom of pain. She feels clean in her skin, like a schoolgirl. She can taste toothpaste in her throat.
On the third ring she reaches for the receiver. It’s Dom’s voice she will hear if the answerphone picks up, and his voice will set her back. It’s three months since he left and every day she means to wipe the message. She lifts it to her ear just in time.
‘Hello?’
It takes her a second to place him. ‘Dad?’
‘I didn’t wake you, did I?’
She doesn’t know why she’s gripping the receiver. Why a trill of fear has sounded in her head. It’s good to hear her dad’s voice, which is more Australian than her own these days. He’s got the time difference wrong, that’s all. At the end of the street a police siren starts its upward loop and cuts out. Its blue light flashes silently.
‘What time is it there?’
‘I don’t know.’ She stretches her free arm above her head, arching her back. In the eight weeks and three days since her last drink, she has been sleeping like the dead.
‘Shall I call back later?’
‘It’s fine. Is everything ok?’
‘I wanted to talk to you,’ he says. ‘Your mother doesn’t know I’m calling. She went into town.’
She sits down on the carpet. This is the thing she couldn’t put her finger on, that she should have known was wrong from the start. Her dad hasn’t called her in the decade she’s lived in London. It’s her mum who makes the phone calls, leaves messages on the answerphone. Her dad writes letters. He hates the phone.
‘What is it?’
‘I didn’t want you to hear it from your mother. She hasn’t taken it well. I wanted to tell you myself.’
She drops her head between her knees. She thinks, if he’s going to die, I’ll need a drink. Cold, practical thoughts: she will finish this call and she will put her clothes on. There’s an all-night takeaway at Clapton Pond where they sell six-packs of beer under the counter.
‘The police came to see me,’ he says.
‘The police?’
‘They’re looking for a woman I used to know.’
Isla lifts her head. She’s sweating. She runs her hand through her damp hair. ‘What woman?’
‘She was a neighbour of ours, back when we first moved to Sydney. You wouldn’t remember.’ He coughs. ‘It looks like she’s been missing a long time. Nobody’s seen her in thirty years.’
The police car crawls past outside, swinging its blue light across the walls.
‘What’s this got to do with you?’
‘The police think her disappearance is suspicious,’ he says. ‘They think I was the last person to see her, before she went missing.’
‘And were you?’ She tries to sound calm. ‘Were you the last person to see her?’
‘I can’t have been. She moved away with her husband. I told them there must be some mistake.’
He lights a cigarette, exhales. She thinks of Dom, smiling behind a flame.
‘Is she dead?’
‘They think she must be.’ His voice is quiet. A bad news voice. ‘There’s no record of her at all, in all that time. Her father died last month, left her most of his estate, but she hasn’t come forward. Her brother’s been asking around, trying to trace her. He turned up a few things that the police are looking into.’ He laughs unconvincingly. ‘One of those things is me.’
Isla finds a line of stubble along her shin. She runs her thumbnail over it, back and forth, until it hurts.
‘The cops are searching through their records,’ he says. ‘They keep records of people who died without being identified.’
‘What if it turns out she was killed?’
‘That would be the worst-case scenario, love,’ he says. ‘That would mean a murder enquiry.’
‘Jesus.’
‘Look, I don’t want you to worry.’
‘But if you were the last person to see her –’
‘I wasn’t.’ He shouts it. ‘I told you, I wasn’t.’
Isla rests her head back on her knees. In the part-light she sees unopened post on the doormat, soiled with the tread of her lace-up boots. Her bike, leaning against the wall, its basket stuffed with junk mail. On a hook by the door, the smart coat with the belt that she wears to the office. All of it familiar, unchanged.
‘Are you there?’
‘I’m here,’ she says.
‘Sorry to snap at you.’
‘Dad.’ She feels hot, but her skin is cold. Her pyjamas cling to her. ‘What was her name?’
He hesitates. ‘Mandy.’
Mandy. Isla smells a hot iron against cotton sheets. Eucalyptus.
‘She looked after you a few days a week, before you started school. Back when your mum was working at Hordern & Sons.’
‘She had a washing line strung out across her yard,’ Isla says, remembering as she speaks. ‘I used to hand her the pegs when she hung out her laundry.’
‘Did you?’
Isla can’t recall Mandy’s face but she remembers being in her presence. Being liked by someone she liked. An easiness about her company that made other people seem less than her.
‘Your mother wants to cancel the party for my birthday,’ he continues. ‘She’s been upset since the police called round. She can’t put it out of her mind.’
A door slams in one of the flats upstairs. Raised voices. Isla sits up. She understands now why he called.
‘Does she believe you, Dad?’
‘I don’t think so. No.’
She cradles the phone. New connectors are opening in her brain these past few weeks, fuelled by mineral water and sleep. Unbidden memories startle her on the bus; on the escalator at Bethnal Green; as she sits in traffic on the Essex Road. Her life has an awful clarity now the protective, hungover fug is gone. She sits cross-legged on the carpet, in the middle of her life, in its crisp, central crease. She is thirty-five years old, tall and lean; striking, people say. A body that has been neglected but is still strong, surprisingly resilient. A thick head of hair, cropped short at the back; blonde strands on top that grow up and out, like a dandelion. A woman whose life took a nosedive, who is getting herself together, who needs to be careful. Whose father is silent at the end of the line, asking her wordlessly to come home.
‘I could come back for a couple of weeks,’ she says. It’s the only thing to say. ‘I could help with the party. Get Mum to see sense.’
‘Could you?’
‘I think so. I’m owed some leave.’
‘That would be wonderful, Isla.’ His voice has lifted. ‘What about the apartment? Aren’t you buying a place?’
The apartment. A two-bed on Sinclair Road with high ceilings and a Juliet balcony. It’s beautiful, well-located and well over budget. They exchange in three weeks. She rubs her forehead with the heel of her hand. ‘I can deal with it over the phone,’ she says.
‘Can they spare you at work?’
‘They’ll have to.’
‘Are you sure this is a good time for you?’
No, she is not sure. She doesn’t want to be in Sydney, where there are empty hours to fill and people she hasn’t seen in a decade. She wants to sleep and work and hide.
‘I’m sure,’ she says. ‘It’s about time.’
Rain falls hard over London as the sun comes up. Isla lies on the surface of sleep, refusing the dreams that want her to be four years old again, walking through rooms that are familiar but not home. She starts the day, dresses herself. Her dad’s voice is loud and scared in her head, playing on a loop, acquiring a strain of panic. She makes coffee, tells herself she does not need anything stronger. She is over-thinking this whole thing. He is not lying.
2
Sydney, 1966
Mandy supposed Steve must always have opened his gifts this way. A ham-fisted rip-and-crunch of the paper; a quick kiss and a ‘thanks darl’, and that was it. No ceremony. No comment on the way she’d lined up the stripes on the gift wrap. He did appreciate the gift itself, mind, so long as it was something practical that he could use or wear, that wasn’t too different from anything he already owned.
Nothing new there, except Mandy found it aggravating this year, and wanted to thump him. She knew she was being unreasonable. Why would he notice the paper? He was the same man she’d been married to for seven years. And it was daft that she’d done that with the stripes. She’d become a woman who was uptight about gift wrap. How had that happened?
She sat beside him on the bed and turned her gift from him around in her hands. A bigger box than she’d expected. She picked at a piece of tape with her thumbnail and peeled it, slowly, free of the gift wrap. She did the same with the tape at the other side of the box.
‘Why don’t you just rip it, Mand? We’ll still be here for New Year’s at this rate.’
She gave him a look. ‘I feel like taking my time.’
Turning the box onto its side, she reached her hand under the wrapping and managed to slide it free, without any tearing of the paper or damage to its hollow structure. Steve picked up the paper, as if to crush it, but thought better of it and put it back where it was.
‘A watch!’ She hadn’t expected that. ‘You got me a watch?’
He sat up straight, arranging the pillows behind him, and smiled. ‘Let’s see it on you.’
She fixed the tiny buckle and turned the watch so its face was centred. It was designed for a woman with bony wrists. A frail, skeletal woman who couldn’t lift the weight of anything bigger. It made her arm look huge and muscular. She hated it.
‘There. Fits nicely. Just snug,’ she said. First lie of the day: ‘I love it.’ Second lie: ‘What a nice surprise.’