Back The Shape of Thunder Save as PDF
Contents (84)
  1. Dedication
  2. Contents
  3. One
  4. Cora
  5. Two
  6. Quinn
  7. Three
  8. Cora
  9. Four
  10. Quinn
  11. Five
  12. Cora
  13. Six
  14. Quinn
  15. Seven
  16. Cora
  17. Eight
  18. Quinn
  19. Nine
  20. Cora
  21. Ten
  22. Quinn
  23. Eleven
  24. Cora
  25. Twelve
  26. Quinn
  27. Thirteen
  28. Cora
  29. Fourteen
  30. Quinn
  31. Fifteen
  32. Cora
  33. Sixteen
  34. Quinn
  35. Seventeen
  36. Cora
  37. Eighteen
  38. Quinn
  39. Nineteen
  40. Cora
  41. Twenty
  42. Quinn
  43. Twenty-One
  44. Cora
  45. Twenty-Two
  46. Quinn
  47. Twenty-Three
  48. Cora
  49. Twenty-Four
  50. Quinn
  51. Twenty-Five
  52. Cora
  53. Twenty-Six
  54. Quinn
  55. Twenty-Seven
  56. Cora
  57. Twenty-Eight
  58. Quinn
  59. Twenty-Nine
  60. Cora
  61. Thirty
  62. Quinn
  63. Thirty-One
  64. Cora
  65. Thirty-Two
  66. Quinn
  67. Thirty-Three
  68. Cora
  69. Thirty-Four
  70. Quinn
  71. Thirty-Five
  72. Cora
  73. Thirty-Six
  74. Quinn
  75. Thirty-Seven
  76. Cora
  77. Thirty-Eight
  78. Quinn
  79. Author’s Note
  80. Resources
  81. Acknowledgments
  82. About the Author
  83. Copyright
  84. About the Publisher

Quinn smiles for the first time all day. “No problem. Follow me.”

She effortlessly hops up onto one of the lower branches. Once she’s hoisted herself farther up, she bends down and stretches out her hand. “Here.”

I take her hand and follow her up.

image

Twenty-Eight

Quinn

Dear Parker,

You know how in comic book movies, they always give the villain this elaborate backstory? I mean, you can see that the Joker is going to end up a bad guy from like a million miles away. It’s so obvious.

But I don’t think that’s how it is in real life.

I wish I would have seen it.

Or maybe the problem is that I did see it, but I didn’t understand.

I understand now. And I really hope it’s not too late.

Your sister,

Quinn

Cora and I sit back-to-back, our shoulders slowly rising with each shallow breath. I wonder how many times Cora and I have sat like this over the course of our lives. One hundred? Two hundred? I don’t know. I can’t help thinking that this might be the last time.

A few weeks ago, Mrs. Euclid told our class that art is as much about remembering as it is about seeing. I mentally draw us like this so I can remember it, so I can have this memory forever.

“Ready?” Cora asks. “Let’s start.”

I squeeze my eyes shut. The science classroom, I tell my brain. I hold the image. The lab tables and their steel sinks. I even get as far as imagining Parker’s dark boots on the tiled classroom floor, but then I’m back in the upstairs hallway of my house, following him into my parents’ room.

I try to reach out for my brother’s shoulder, but my hand slides right through his shoulder blade.

He’s not real.

None of this is real.

My eyes snap open and I can’t concentrate any longer. But Cora’s breathing is still steady. I know she’s doing the best she can to picture that morning. She’s trying.

It’s me. I’m the problem.

I look up. The sky overhead is a deep-blue color—the type of sky you see drawn with thick acrylic paints, all texture and swirls. The sun is slipping down to the ground, leaving a trail of eggy light. All of it looks close enough to touch. I reach my hand out but feel only air. Another illusion.

“It didn’t work,” Cora whispers. “We’re still here.”

I have to tell her. I know that I do, but I also don’t know how I possibly can.

“Core—” I start.

“What?” She shuffles on the branch, flipping herself around. I do the same.

“What do you think we’re missing?” she asks. “I need to check something in my notebook.”

“Core—” I try again, but she’s already crawling down. I’m impressed with how quickly she’s hopping from branch to branch. She remembers the path down from before.

When she’s almost to the forest ground, she turns to look up at me. “Are you coming?”