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The Shape of Darkness

Laura Purcell
Chapters (43)
  1. Cover
  2. By the Same Author
  3. Dedication Page
  4. CHAPTER 1
  5. CHAPTER 2
  6. CHAPTER 3
  7. CHAPTER 4
  8. CHAPTER 5
  9. CHAPTER 6
  10. CHAPTER 7
  11. CHAPTER 8
  12. CHAPTER 9
  13. CHAPTER 10
  14. CHAPTER 11
  15. CHAPTER 12
  16. CHAPTER 13
  17. CHAPTER 14
  18. CHAPTER 15
  19. CHAPTER 16
  20. CHAPTER 17
  21. CHAPTER 18
  22. CHAPTER 19
  23. CHAPTER 20
  24. CHAPTER 21
  25. CHAPTER 22
  26. CHAPTER 23
  27. CHAPTER 24
  28. CHAPTER 25
  29. CHAPTER 26
  30. CHAPTER 27
  31. CHAPTER 28
  32. CHAPTER 29
  33. CHAPTER 30
  34. CHAPTER 31
  35. CHAPTER 32
  36. CHAPTER 33
  37. CHAPTER 34
  38. CHAPTER 35
  39. CHAPTER 36
  40. CHAPTER 37
  41. CHAPTER 38
  42. CHAPTER 39
  43. Acknowledgements

Cover

LAURA PURCELL is a former bookseller and lives in Colchester with her husband. Her first novel for Raven Books, The Silent Companions, was a Radio 2 and Zoe Ball ITV Book Club pick and was the winner of the WHSmith Thumping Good Read Award, while her subsequent books – The Corset and Bone China – established Laura’s reputation for spooky, page-turning fiction.

laurapurcell.com

@spookypurcell

By the Same Author

BY THE SAME AUTHOR

The Silent Companions

The Corset

Bone China

Dedication Page

For Kevin

‘… we together called into being, a weird shadow which was neither of us, only an unshapen, unformed thing … the ideas crossed each other as the lines of two wet drawings laid face to face become crossed, blotted, effaced and unrecognisable.’

Elizabeth d’Espérance, Shadow Land or, Light from the Other Side

CHAPTER 1

It is the cocked hat that draws her to him: the way it arches above the barricade of toppers. Its golden edges end low to the brow and gild the face beneath.

He stands talking with half a dozen other gentlemen under the dying bonfire of Sydney Gardens’s autumn foliage, impeding the passage of walkers like a clot in the blood. As he extends a hand, emphasising a point to his nearest companion, Agnes sees it: the perfect pose for a full-length silhouette.

She reaches for the scissors in her reticule but her fingers are cold, fumbling. By the time she has hold of the handles and the sable paper gripped, ready to walk through her hand, the man has already turned and replaced his arm at his side.

She will have to cut him from memory.

There is the familiar slip in her stomach, the tangle of breath within her breast. Hope refuses to die. Never will she see the dark blue coat of the Royal Navy without a wild belief that somehow, somehow …

But this man is not Montague. Even through her cataracts, Agnes can see enough of his features to dismiss that fantasy. If John Montague is still alive – and she has no guarantee of that – he will not be a slim, active man engaged in debate, but a seasoned sailor, even older than herself. Decades on deck will have weathered his skin and aged him beyond his years. There may be a paunch beneath his waistcoat, or a limp from a bullet wound. Her dashing lieutenant belongs only to the past.

She cuts the outline of his face in smooth, bold waves, sliding the paper between the pad of her thumb and the finger that still bears his ring.

The breeze picks up. Her paper flutters, objecting. It has grown damp on the walk and does not hold its form as it should, but Agnes persists.