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Contents ( 80)
  1. THE SEVEN DARLINGS
  2. * * *
  3. GOUVERNEUR MORRIS
  4. *
  5. Contents
  6. *
  7. *
  8. Chapter I
  9. *
  10. Chapter II
  11. *
  12. Chapter III
  13. *
  14. Chapter IV
  15. *
  16. Chapter V
  17. *
  18. Chapter VI
  19. *
  20. Chapter VII
  21. *
  22. Chapter VIII
  23. *
  24. Chapter IX
  25. *
  26. Chapter X
  27. *
  28. Chapter XI
  29. *
  30. Chapter XII
  31. *
  32. Chapter XIII
  33. *
  34. Chapter XIV
  35. *
  36. Chapter XV
  37. *
  38. Chapter XVI
  39. *
  40. Chapter XVII
  41. *
  42. Chapter XVIII
  43. *
  44. Chapter XIX
  45. *
  46. Chapter XX
  47. *
  48. Chapter XXI
  49. *
  50. Chapter XXII
  51. *
  52. Chapter XXIII
  53. *
  54. Chapter XXIV
  55. *
  56. Chapter XXV
  57. *
  58. Chapter XXVI
  59. *
  60. Chapter XXVII
  61. *
  62. Chapter XXVIII
  63. *
  64. Chapter XXIX
  65. *
  66. Chapter XXX
  67. *
  68. Chapter XXXI
  69. *
  70. Chapter XXXII
  71. *
  72. Chapter XXXIII
  73. *
  74. Chapter XXXIV
  75. *
  76. Chapter XXXV
  77. *
  78. Chapter XXXVI
  79. *
  80. * * *

It came to this: That Arthur followed the marks of Lee's and Gay's snow-shoes mechanically, and raged, not against them, not against the world of men, but against himself. He had said once in jest that many an artistic impulse had been crushed by the camera and the pianola. But how pitifully true this had been in his own case! If he had been born into less indulgence, he might have painted, he might have played. The only son in a large family of daughters, his father and mother had worshipped the ground upon which his infant feet had trod. He had never known what it was to want anything. He had never been allowed to turn a hand to his own honest advantage. He was the kind of boy who, under less golden circumstances, would have saved his pocket-money and built with his own hands a boat or whatever he needed. There is a song: "I want what I want when I want it." Arthur might have sung: "I get what I'm going to want and then I don't want it."

His contemporaries had greatly envied him, when, as a mere matter of justice, they should have pitied him. All his better impulses had been gnarled by indulgence. He had done things that showed natural ability; but of what use was that? He was too old now to learn to draw. He played rather delightfully upon the piano, or any other instrument, for that matter. To what end? He could not read a note.

There was nothing that Arthur could not have done, if he had been let alone. There were many things that he would have done.

At college he had seen in one smouldering flash of intuition how badly he had started in the race of life. When others were admiring his many brilliancies, he was mourning for the lost years when, under almost any guidance save that of his beloved father, he might have laid such sturdy foundations to future achievements—pedestals on which to erect statues.

Self-knowledge had made him hard for a season and cynical. As a tired sea-gull miscalculates distance and dips his wings into the sea, so Arthur, when he thought that he was merely flying low the better to see and to observe, had alighted without much struggling in a pool of dissipation and vice.

The memory was more of a weariness to him than a sharp regret. Of what use is remorse—after the fact? Let it come before and all will be well.

At last, more by accident than design, he drew out of the muddy ways into which he had fallen and limped off—not so much toward better things as away from worse.

Then it was that Romance had come for him, and carried him on strong wings upward toward the empyrean.

Even now, she was only twenty. She had married a man more than twice her age. He had been her guardian, and she had felt that it was her duty. Her marriage proved desperately unhappy. She and Arthur met, and, as upon a signal, loved.