Pinturicchio had used us all as models for his various scenes—Lucrezia dimpled and tossed her blond head under the beseeching figure of herself on the wall as Santa Caterina; inscrutable Cesare lounged under his own image as inscrutable Emperor Maximilian in a massive throne; fourteen-year-old Joffre pranced in the painted crowd as one of the background figures; and Juan cut a ridiculous figure on the wall in a silly Turkish mantle as a turbaned heathen. I was a Madonna in one of the other chambers, with my Laura on my lap for the Christ child. “Surely it’s blasphemous to have a girl sit as model for our Lord!” Maestro Pinturicchio had protested.

“Any more blasphemous than to have a harlot sit for the Madonna?” I’d countered, the Holy Virgin’s blue veil swinging about my face like a joke. I’d never asked to be a notorious woman; I’d been raised for a husband and children like any other girl of noble birth, but here I was. I’d made my own choices, and I made no bones either about what it made me—but I’d been determined to have my Laura in the frescoes along with all the other Borgia children. Maestro Pinturicchio had taken one look at the set of my chin, and begun sketching. A nice little man, ugly as the day was long, but skilled. His wife was the most notorious harpy in Rome, and I gave him a rose-quartz and crystal bracelet to give her in the hopes it would sweeten her temper. It hadn’t, but he thanked me anyway, and he made Laura look very pretty indeed in our Madonna-and-Child fresco. Though the halo certainly didn’t suit her; she was a full three years old now and a proper little imp!

Rodrigo was still looking about the table with misty eyes, and I ceased my musing. “It’s not just Our own children here tonight,” he continued, beaming like any proud father despite the regal papal We. “Our new children as well. Sancha—”

Young Joffre’s Neapolitan wife, Sancha of Aragon, was making doe eyes at Cesare through the candlelight, but she dropped her lashes demurely at her father-in-law.

“—and of course Lucrezia’s Giovanni Sforza is here in our thoughts, if not the flesh. A pity he could not join Us—”