Back The Serpent and the Pearl
Chapters (30)
  1. Praise
  2. Also by Kate Quinn
  3. Title Page
  4. Copyright
  5. Contents
  6. Dedication
  7. Part One
  8. Chapter One
  9. Chapter Two
  10. Chapter Three
  11. Chapter Four
  12. Chapter Five
  13. Chapter Six
  14. Part Two
  15. Chapter Seven
  16. Chapter Eight
  17. Chapter Nine
  18. Chapter Ten
  19. Chapter Eleven
  20. Chapter Twelve
  21. Chapter Thirteen
  22. Chapter Fourteen
  23. Chapter Fifteen
  24. Chapter Sixteen
  25. Chapter Seventeen
  26. Epilogue
  27. Historical Note
  28. Characters List
  29. Readers Guide
  30. Special Excerpt from THE LION AND THE ROSE

God knows I am a man with sins on his soul. Blasphemy, fornication, theft. Avarice, when it came to things like good wine and engraved books. One or two of the milder forms of heresy. Murder, of course, and unrepentant murder at that. But surely, surely, my sins did not warrant the punishment of two days’ close confinement in a rattling carriage with Madonna Adriana, the Countess of Pesaro, the Bride of Christ, and the Bride of Christ’s baby (who cried considerably more than our Lord must have done)—as the three women discussed, for ten hours each on two consecutive days, the relative merits of fur versus velvet linings on Neapolitan overgowns and how the new slippers had a much more pointed toe.

“Blue Spanish brocade with embroidered panels,” Giulia said, jogging her baby against one shoulder. “I saw one of the Moscari girls wearing a gown just like that at Mass last month, and now I want one too. Not with those dagged sleeves, though, I don’t think you can get away with hanging sleeves like that unless you’re very tall, else you’re just dragging your cuffs on the ground—”

“No, it was one of the Mocenigo girls who had the dagged sleeves,” Lucrezia disagreed. “Luciana Moscari was wearing rose pink satin with gold embroidery. Rosy girls like that should never wear pink; she looked like a raspberry. But I liked her little marten fur collar—”

“Benedetta Bellonci had the marten fur collar,” Adriana da Mila corrected.

“No, Benedetta Bellonci had a sable hood with green velvet lining. And the most ridiculous stilt clogs you ever saw . . .”

“It’s like the Homeric catalogue of ships,” I said to one of Lord Sforza’s escorting guards when they paused to water the horses. “Only it’s dresses. And even when it’s ships, it’s still the most boring chapter in the Iliad!”

“Better than riding in the rain,” the guard pointed out to me, his livery draggled and dripping. “Safe and dry with the most beautiful women in Rome—don’t ask me to pity you, Messer Leonello! If it were me, I’d burrow into Madonna Giulia’s lap and never come up for air . . .”

Perhaps it was my fervent prayers that made the difference, but the third day of our journey from Rome to Pesaro dawned sunny and fair. I have no love for horses, but I left the carriage in a desperate lunge for the clean fresh air, the clop of hooves in the new June sunshine, and above all, the silence. “We’ll have to put you on a mule with the baggage,” one of the drovers said dubiously. “You can’t be riding, not with those short legs—horse’ll jerk you right over its head.”

“I will ride a goat,” I vowed. “I will ride the Devil Himself, as long as there are no more discussions on netted snoods or dagged sleeves.”