Back The Sentry Save as PDF
Chapters (62)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. Acknowledgements
  5. Part One - THE FISHMONGER
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Par Two - PRINCESS OF THE ANGELS
  16. Chapter 10
  17. Chapter 11
  18. Chapter 12
  19. Chapter 13
  20. Chapter 14
  21. Chapter 15
  22. Chapter 16
  23. Chapter 17
  24. Chapter 18
  25. Chapter 19
  26. Chapter 20
  27. Part Three - THE LORD OF WAR AND THUNDER
  28. Chapter 21
  29. Chapter 22
  30. Chapter 23
  31. Chapter 24
  32. Chapter 25
  33. Chapter 26
  34. Chapter 27
  35. Chapter 28
  36. Part Four - THE PRINCE OF SOLITUDE
  37. Chapter 29
  38. Chapter 30
  39. Chapter 31
  40. Chapter 32
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. Par Five - THE SENTRY
  45. Chapter 36
  46. Chapter 37
  47. Chapter 38
  48. Chapter 39
  49. Chapter 40
  50. Chapter 41
  51. Chapter 42
  52. Chapter 43
  53. Chapter 44
  54. Chapter 45
  55. Chapter 46
  56. Chapter 47
  57. Chapter 48
  58. Chapter 49
  59. Chapter 50
  60. Chapter 51
  61. Chapter 52
  62. Chapter 53

Pike studied Reuben Mendoza’s picture last, then dropped it into the box. A plan to flush Mendoza out of the weeds was forming, and the picture would help.

Pike said, “Hold still.”

Hector’s eyes bulged when Pike drew his knife. Pike clipped the ties, cutting him free.

“Get out.”

“What get out? This is my car.”

“Out.”

“Bro, what, you takin’ my car?”

“I won’t tell you again.”

Hector shoved open the door, and got out in a sullen funk. He slammed the door as Pike slid behind the wheel.

“This ain’t right, stealin’ my car. You takin’ my wallet, too? You takin’ my phone?”

Pike drove back to his Jeep. He left Hector’s wallet in the Monte Carlo, but added his phone to Mendoza’s box. Pike didn’t take time to examine these things because he wanted to keep pressing.

Pike drove directly to Lily Palmer’s house, parked in Wilson’s carport, and rang the bell. She answered the second ring.

“I knew you’d be back. Did you find Wilson and Dru?”

“Not yet. Is Jared here?”

She sighed.

“Jared’s always here.”

She called into the house, and Jared’s flip-flops announced his approach. He was freshly slathered with sunblock and carried a bottle of beer. He frowned when he saw Pike and tugged the iPod buds from his ears.

“Dude, you got it all. I don’t know anything else.”

“The man with the cast—”

Pike showed him the picture of Reuben Mendoza.

“Was this him?”

Jared glanced at the picture, then brightened with a surprised smile that made him look proud of himself.

“Dude! That’s him! The Cast Man!”

“You’re sure?”

“Fuckin’ A.”

Jared beamed, and continued to vomit up memories.

“Dude had khaki baggies and a gray plaid shirt, but it was open. Shirt was huge, dude, like fifty sizes too big, and a white T-shirt underneath. And he was bald.”

Pike had seen witnesses have similar explosions of memories when he was an officer. If a witness was given a visual trigger, a memory that had been vague would often snap into focus. Psychologists called these memory cues, and the resulting cascade of recollections were memory chains.

“You remember anything about the second man?”

Jared thought for a moment, but his lips peeled from his teeth in frustrated effort.

“Not really getting him. He was in front, kinda already through the gate. The Cast Man was behind him. I remember black hair. And shades. He might’ve been wearing shades.”

Jared finally ran out of gas.

“Sorry, bro. That’s all I got.”

Pike could now tie Mendoza to the scene with a picture ID. The second man was almost certainly Gomer, but Mendoza would be enough.