Lucious Jefferson did not even see Artie coming. He was watching the traffic for a break in the onrushing river of cars when Artie ran up behind him and shot him between the T5 and T6 thoracic vertebrae, destroying his spinal cord and sending a bone chip from the T6 transverse process into Jefferson’s pulmonary artery. Artie would later say, in that moment, the real world and the reality of what he had done crashed into him like a freak wave, waking him from the mindless place of his rage by crushing him with the horror of what he had done. Lucious collapsed onto his bike, fell, and landed on his back. His eyes were wide as saucers, so wide they were balloons bulging out of his head. Artie saw the terror and pain in the dying boy’s eyes, a horrible pain that flowed from his eyes like a spirit leaving his body and flowed into Artie, forever changing his life.

Following that terrible event, Artie Alvarez spent three years at a special facility for boys, where he kept to himself, took part in regular counseling, and was visited by Lucious Jefferson’s eyes every night in his sleep. The arrogance of his youth was replaced by guilt and a thoughtful shame. He eventually obtained his bachelor’s and master’s degrees in psychology at Cal State Northridge, and became a counselor to youth groups, nonprofit organizations, and outreach programs throughout the city, with the goal of ending hate and violence through education. He created Angel Eyes as a nonprofit outreach program for at-risk children, and worked with gangs throughout the city. At-risk meant at risk of joining a gang, at risk of going back to drugs, at risk of becoming a prostitute, at risk of turning to crime. The Angel Eyes message was simple—act as if someone is watching, which was the Angel Eyes motto: Someone is Watching. His audiences thought this was a reference to God until Artie explained that not a night had passed without his seeing Lucious Jefferson’s tortured eyes in his dreams. Lucious Jefferson was watching.

Angel Eyes HQ occupied a small stucco home on a residential street with mixed zoning ordinances. When Pike rolled up, the house was surrounded by a couple of dozen older children and younger teenagers of both sexes, along with two counselors in their early twenties. Most of the kids were Latin, but African-American, Anglo, and Asian kids were among them. Armed with brushes and rollers, they were painting the house a peaceful beige color under Artie’s direction.

When Artie saw Pike, he came to the street and opened the gate. He was wearing shorts, sandals, and a T-shirt with the Angel Eyes logo.

“Marisol told me you’d be dropping by. Good to see you, my friend.”

“Got a minute?”

“Hang on—”

Artie called out to his army of painters.

“Ladies and gentlemen, here is my friend, Mr. Joe Pike. Please welcome him.”