Chapters (62)
- Title Page
- Copyright Page
- Dedication
- Acknowledgements
- Part One - THE FISHMONGER
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Par Two - PRINCESS OF THE ANGELS
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Part Three - THE LORD OF WAR AND THUNDER
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Part Four - THE PRINCE OF SOLITUDE
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Par Five - THE SENTRY
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
As the men crowded around Mendoza, Pike studied their faces. Most sported elaborate gang tats and shaved heads, which had replaced slicked-back hair as the homeboy style of choice. Pike knew that not all of these men would be in the gang. Most were, but a couple would likely be wannabes, and a couple more were probably just friends. Three of the men showed the grease and soil of work, but most of them had just been hanging around. Pike saw the man who had aimed his gun hand from the Monte Carlo’s back seat, but Gomer wasn’t among them. The man hugged Mendoza and lifted him from the ground. When other men made a joke of grabbing Mendoza’s cast, the back-seat man playfully pushed them away. Protecting his friend. Any of these people could have vandalized Wilson’s takeout shop, but Pike had no way to know, though he thought he knew someone who could help deal with the problem.
Pike scrolled the directory in his cell phone until he found the number, then dialed. A cheery young woman answered.
“Angel Eyes. May I help you?”
“Artie there?”
“Yes, he is. May I ask who’s calling?”
“Tell him Joe Pike is coming by.”
Pike drove to a small stucco house in a residential neighborhood east of Abbot Kinney Boulevard. Known by the people who lived there as Ghost Town, the streets were lined by modest homes originally built for African-American laborers during the thirties. Ghost Town had seen a slow gentrification in some of its neighborhoods, but not all, leaving a sad reminder of days gone past and dreams unrealized. But men like Father Arturo Alvarez were trying to change that.
Father Art was not a priest, though the women and kids in his care called him Father and blessed him with the love and respect of a man of God. Artie Alvarez was a murderer. He murdered his first and only victim when he was eleven years old—a thirteen-year-old Shoreline Crip named Lucious T. Jefferson, whose only mistake was pedaling a blue Schwinn bike past Artie’s house. Artie was brutally honest when he told the story of how and why he killed the boy, which he told often to elementary-school children, civic leaders, and business groups throughout the Southland. He spoke to kids because he hoped to change their lives for the better. He spoke to civic leaders and business groups to raise money to fund his programs.