Chapters (38)
- PART ONE: THE PATH FROM OBERNEWTYN
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- PART TWO: THE HIGH ROAD
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- PART THREE: THE PERILOUS DREAMTRAILS
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- EPILOGUE
- Characters of the Obernewtyn Chronicles
- Question and Answer with ISOBELLE CARMODY
- Acknowledgements
‘An ancient and a woman,’ Cassy said. ‘She never actually wrote down her poetry because back then it was all performed. These are fragments that were recorded by people who heard her. They were collected like this when writing became the fashion, and after people recognised how special she was …’
The older woman laughed. ‘You give me hope. Perhaps the new interest in my work means that it will be valued in the future even as the work of this Sappho. Cassandra, I am really touched by your desire to introduce a dry-as-dust scientist to poetry.’
‘I don’t think you are dry as dust,’ Cassy said and there was a ring of sincerity in her voice that made me believe that she genuinely liked and respected the gruff older woman. But there was something else in her tone when, after a slight hesitation, she said, ‘Besides, the more time I spend with you, the more I realise that there is poetry in science too. I mean, your Eden Project …’ She stopped and then went on diffidently, ‘I was hoping I could persuade you to let me see some of the animals.’
The older woman shook her head. ‘Even if the cams were not operating, I’m afraid you’d be out of luck. All of the test animals are gone.’
Cassy swallowed and looked aghast. ‘Gone?’
The other woman laughed. ‘I should have said, the experimental pods have been relocated with their subjects intact to the Eden Facility. You know, of course, that all of the projects here are in developmental phases. If they are successful, they are put into practice in one way or another out in the real world. The government may not see much value in putting animals into suspended animation, but it seems someone has decided the process will have significant public-relations benefits. They even like the name. It seems Erlinder was right to suggest the Eden Project.’ She smiled at Cassy. ‘I thought it was unscientific, but the spinners think it sounds romantic and optimistic. Their use of such words is incredible given how pragmatic and pessimistic their breed is. But I don’t care what they call it so long as the government sets aside funds to allow its work to continue. In fact the whole reason for shifting the pods is because the government wants me to move into the next experimental phase of my research.’ For a moment she looked troubled.
‘Did you … send the flamebirds to the Eden Facility?’ asked Cassy, making a visible effort to seem nonchalant.