I wasn’t sure much of the world beyond the thick bomb-proof walls of the Times even cared. The Times was going the way of all journalism and that wasn’t news. Even the New York By God Times was feeling the pinch caused by the shift of society to the Internet for news and advertising. The stuff Goodwin wrote about and was calling me about amounted to little more than rearranging deck chairs on the Titanic.
But in another two weeks it wouldn’t matter to me. I was moving on and already thinking about the half-started, half-assed novel I had in my computer. I was going to pull that baby out as soon as I got home. I knew I could milk my savings for at least six months and after that I could live off the equity in my house—what was left of it after the recent slide—if I needed to. I could also downsize my car and save on gas by getting one of those hybrid tin cans everybody in town was driving.
I was already beginning to see my shove out the door as an opportunity. Deep down, every journalist wants to be a novelist. It’s the difference between art and craft. Every writer wants to be considered an artist and I was now going to take my shot at it. The half novel I had sitting at home—the plot of which I couldn’t even correctly remember—was my ticket.
“Are you out the door today?” Goodwin asked.
“No, I got a couple weeks if I agreed to train my replacement. I agreed.”
“How fucking noble of them. Don’t they allow anybody any dignity over there anymore?”
“Hey, it beats walking out with a cardboard box today. Two weeks’ pay is two weeks’ pay.”
“But do you think that’s fair? How long have you been there? Six, seven years, and they give you two weeks?”
He was trying to draw an angry quote from me. I was a reporter. I knew how it worked. He wanted something juicy he could put in the blog. But I wasn’t biting. I told Goodwin I had no further comment for the Velvet Coffin, at least not until I was permanently out the door. He wasn’t satisfied with that answer and kept trying to pry a comment out of me until I heard the call-on-hold beep in my ear. I looked at the caller ID and saw xxxxx on the screen. This told me the call had come through the switchboard rather than from a caller who had my direct number. Lorene, the newsroom operator I could see on duty in the booth, would have been able to tell I was on my line, so her decision to park a call on it rather than take the message could only mean the caller had convinced her that the call was important.
I cut Goodwin off.
“Look, Don, I’ve got no comment and I need to go. I’ve got another call.”
I pushed the button before he could take a third swing at getting me to discuss my employment situation.
“This is Jack McEvoy,” I said after switching over.
Silence.
“Hello, this is Jack McEvoy.