Having seen the newcomer in the distance during her first visit to the Temple Mary had, after a moment, recognized her. She gave Mary a cold appraising glance, then replied:

'You were right, Abaddon. With those eyes, that mouth and such a figure, she could seduce a saint. She should prove very useful to us.'

Her words were spoken with such complete detachment that they constituted a high compliment, but to Mary they spelt only a renewal of anxious foreboding. She wondered if the woman had in mind only making use of her for the Devil's work after she had become an initiate, or if their as yet undisclosed intention was to order her to attempt the seduction of Mr. X that night.

Abaddon turned his pale blue eyes on Mary, gave her a long searching glance, and asked: 'Do you feel confident that you can do that which is required of you? If not, you must say so now. I will excuse you from it, have an experienced Priestess perform the work, and give you some other test. This is an important matter and should you fail in it you will incur my anger. Answer me frankly, and without fear.'

Mary had a good memory, so she was not troubled by qualms that she might forget her lines. If there was no more behind the test than had so far been revealed, it should prove easy of accomplishment, and the alternative to it might be the performance of some act of the kind she had dreaded. In consequence, she replied firmly:

'I shall find no difficulty in doing as you wish, and am grateful to you for this opportunity you have given me to prove that I am worthy of advancement.'

Both Abaddon and Ratnadatta nodded their pleased appreciation of her apparent keenness to play the part designed for her; and even the High Priestess's hard but beautiful mouth curved into a faint smile, as she said:

'Come with me then, Circe, and I will prepare you for your first appearance as the mouthpiece of our Master.'

Mary followed her out and accompanied her upstairs to the iccond floor. There they entered a sitting-room beyond which were a bedroom and a bathroom. The whole suite was furnished in a style seen only in the houses of the very rich or a hotel of the first rank. Beautiful Aubusson carpets covered the floors, and the walls were panelled with toile de jouie. In the sitting-room the chairs, settee and escritoire were of Louis Quinze satinwood; two Buhl cabinets containing fine pieces of Sèvres and Dresden flanked a marble mantelpiece, and in each of the panels hung a coloured print after Fragonard. The bedroom furniture had a ground of pale blue on which were painted garlands of flowers, and all its carved edges were pricked out in gold; the sheets on the bed were of the finest lawn and, from a coronet supported by two gilded cupids, drapes of muslin spangled with gold stars curved down to either side of its head. By contrast the bathroom was entirely modern, with tiled walls and a large low porcelain bath, and was equipped with a great variety of sprays, towels, powders and perfumes.