Back The Sandpit
Chapters (55)
  1. Cover
  2. About the Author
  3. Also by Nicholas Shakespeare
  4. Dedication
  5. Epigraph
  6. Prologue
  7. PART ONE
  8. Chapter One
  9. Chapter Two
  10. Chapter Three
  11. Chapter Four
  12. Chapter Five
  13. Chapter Six
  14. Chapter Seven
  15. Chapter Eight
  16. Chapter Nine
  17. Chapter Ten
  18. Chapter Eleven
  19. Chapter Twelve
  20. Chapter Thirteen
  21. Chapter Fourteen
  22. Chapter Fifteen
  23. Chapter Sixteen
  24. Chapter Seventeen
  25. Chapter Eighteen
  26. Chapter Nineteen
  27. Chapter Twenty
  28. PART TWO
  29. Chapter Twenty-one
  30. Chapter Twenty-two
  31. Chapter Twenty-three
  32. Chapter Twenty-four
  33. Chapter Twenty-five
  34. Chapter Twenty-six
  35. Chapter Twenty-seven
  36. Chapter Twenty-eight
  37. Chapter Twenty-nine
  38. Chapter Thirty
  39. PART THREE
  40. Chapter Thirty-one
  41. Chapter Thirty-two
  42. Chapter Thirty-three
  43. Chapter Thirty-four
  44. Chapter Thirty-five
  45. Chapter Thirty-six
  46. PART FOUR
  47. Chapter Thirty-seven
  48. Chapter Thirty-eight
  49. Chapter Thirty-nine
  50. Chapter Forty
  51. Chapter Forty-one
  52. Chapter Forty-two
  53. Chapter Forty-three
  54. Chapter Forty-four
  55. Acknowledgements

Sprawled awkwardly on a hard chair, Marvar looked slowly about, like a passenger who lingers after the plane has landed. He was wearing a suit tailored for someone, if not for him then his father or grandfather; midnight blue, old-fashioned, turn-ups. The jacket strained over his stomach.

‘Sure,’ Marvar said vaguely, listening to the clangs. There were workmen in the next house. They had been putting up scaffolding.

He sat there while Dyer filled the kettle. His eyes moved over a photograph on the wall of Dyer in the favela with his class, to a drawing by one of the orphans, before landing on the notes scattered over the kitchen table.

‘What are you working on?’ after a pause. Without his coat, he breathed more evenly.

Dyer told him.

‘Are you a good writer?’

‘My English teacher at the Phoenix said if you want to be a good writer, you have to be a horrible person.’

At this, Marvar laughed. He was ready to laugh. He leaned forward, twisting his neck to decipher Dyer’s notes. ‘I’d like to read something you’ve written.’

Dyer knelt before the Ikea bookcase and picked out a book, sandwiched between a copy of Basil Bunting’s collected poems and an early novel by Mario Vargas Llosa, and handed it to him.

He inspected the spine. ‘J. W. Dyer. This is you?’

‘Not as often as I’d like it to be.’

Marvar fingered the book listlessly, not seeing. He was too fat and the walls were too thin. He might have been thinking of another book.

‘Have it,’ said Dyer. ‘It’s for you.’

It was his last copy. He could order another. The half-dozen that his publishers had sent him, he had wasted as dinner-party gifts.

Marvar flicked to the title page. ‘Then you must sign it,’ and stood respectfully up. The book lay open in his palms, drifting in the thermals.

Dyer patted his chest, pockets. From a broken-handled mug with a phoenix on it, he plucked a biro that didn’t work. ‘Why,’ he muttered, ‘do writers never ever have anything to write with?’

He unzipped the leather shoulder bag containing his laptop, and dug out a propelling pencil.

Marvar remained standing while Dyer took the book from him and sat down at the table and pondered an inscription. The sound of hammer against scaffolding came through the wall like a gong. The renovator’s wand hadn’t yet touched Paula’s house on the other side.

‘Your ex?’

Dyer looked up.

On top of the bookcase, the black-and-white photograph of Astrud loose in a maple frame.

‘One of them,’ he said.