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Chapters (30)
  1. Cover Page
  2. Title Page
  3. Dedication
  4. An Introduction to the Introduction to the New Edition
  5. Introduction to the New Edition
  6. Editor’s Note
  7. Introduction
  8. Prologue
  9. Life
  10. The Universe
  11. And Everything
  12. The Salmon Of Doubt
  13. Chapter 1
  14. Chapter 2
  15. Chapter 3
  16. Chapter 4
  17. Chapter 5
  18. Chapter 6
  19. Chapter 7
  20. Chapter 8
  21. Chapter 9
  22. Chapter 10
  23. Chapter 11
  24. Epilogue
  25. Editor’s Acknowledgments
  26. For More Information
  27. Praise
  28. Don't Panic
  29. Also by Douglas Adams
  30. Copyright Page

The next exciting thing was that they kept on losing me. They would bring out a new album and for a few listenings it would leave me cold and confused. Then gradually it would begin to unravel itself in my mind. I would realize that the reason I was confused was that I was listening to Something that was simply unlike anything that anybody had done before. “Another Girl,” “Good Day Sunshine,” and the extraordinary “Drive My Car.” These tracks are so familiar now that it takes a special effort of will to remember how alien they seemed at first to me. The Beatles were now not just writing songs, they were inventing the very medium in which they were working.

I never got to see them. Difficult to believe, I know. I was alive at the time the Beatles were performing and never got to see them. I tend to go on about this rather a lot. Do not go to San Francisco with me, or I will insist on pointing out Candlestick Park to you and bleating on about the fact that in 1966 the Beatles played their last concert there, just shortly before I’d woken up to the fact that rock concerts were things you could actually go to, even if you lived in Brentwood.

A friend of mine at school once had some studio tickets to see David Frost’s show being recorded, but we ended up not going. I watched the show that night, and the Beatles were on it playing “Hey Jude.” I was ill for about a year. Another day that I happened not to go to London after all was the day they played their rooftop concert in Savile Row. I can’t—ever—speak about that.

Well, the years passed. The Beatles passed. But Paul McCart-ney has gone on and on. A few months ago the guitarist Robbie McIntosh phoned me and said, “We’re playing at the Mean Fiddler in a few days, do you want to come along?”

Now this is one of the daftest questions I’ve ever been asked, and I think it took me a few moments even to work out what he meant. The Mean Fiddler, for those who don’t know, is a pub in an unlovely part of northwest London with a room at the back where bands play. You can probably get about two hundred people in.

It was the word we that temporarily confused me, because I knew that the band that Robbie was currently playing in was Paul McCartney’s, and I didn’t think that Paul McCartney played in pubs. If Paul McCartney did play in pubs, then it would be daft to think that I would not saw my own leg off in order to go. I went.