Back The Room and the Chair
Chapters (32)
  1. Cover
  2. Other Books by this Author
  3. Title Page
  4. Dedication
  5. POTOMAC   SEPTEMBER
  6. 1.   WE ARE SHADOW
  7. 2.   AFTER SOMEILLIMITABLE SATISFACTION
  8. 3.   THE LAST LIGHTS OFF THEBLACK WEST
  9. HORMUZ   OCTOBER
  10. 4.   NO PLACE FOR MEOUTSIDE OF PERSIS
  11. 5.   EDITED SCENES OFADVENTURE
  12. 6.   FANTASY FIELDS
  13. TIBER CREEK   NOVEMBER
  14. 7.   O MY DOVE, LET ME SEE
  15. 8.   ICARUS ALSO FLEW
  16. 9.   REFUSING REASONITS REASONS
  17. PANJSHIR   JANUARY
  18. 10.   THE MOON SHINES INMY BODY
  19. 11.   WATCHMAN, WHAT IS LEFTOF THE NIGHT
  20. 12.   HIDDEN IN THE BARROW
  21. ROCK CREEK   MARCH
  22. 13.   NIGHT FIST, QUIET KNIGHT
  23. 14.   GO VIEW THE LAND,EVEN JERICHO
  24. SLASH RUN   JUNE
  25. 15.   GAVE PROOF
  26. 16.   MAID, ARISE
  27. GIHON   AUGUST
  28. 17.   THE UNMAPPEDTUMBLED REGION
  29. 18.   TO EXERCISE MYDEPLETED FURY
  30. ACKNOWLEDGMENTS
  31. A NOTE ABOUT THE AUTHOR
  32. Copyright

“I just want to go over the weekend first, if that’s okay with you.”

“Happy to,” Adam said, realizing for the umpteenth time he had never had a feel for what Don was thinking.

“Have you had a chance to read this Metro project, what, is it slugged …?” Don looked down at his budget.

“The northern-Virginia highway project.”

“ROADSI,” Don said. “It’s, what, four parts?”

“Yes.”

“Has anyone given any thought to tightening the lede?”

“Let me see,” Adam said genially, motioning to a printout of the story Don had marked.

“The lede is anecdotal, and I think that’s a problem,” Don said. “Sure, sitting in traffic is awful. I mean, this reads like any bad-commute story. And there’re some facts way down that I think need to be brought up higher. And the context—how does this compare to other regional traffic dilemmas? But I guess the deeper question I have is, we seem to be saying this is the fault of the governor, and I’m having trouble seeing how we lay this on his doorstep.”

Adam put his glasses back on his nose and looked over them at Don. He gestured for the printout so that Don might hand it to him.

“I mean, can you help me with that?” Don said, unaware of Adam’s hand moving toward his.

“Have you talked this over with Metro?” Adam took his glasses off again.

“No one seems to be over there.”

“I know there was some discussion as to why the top was the way it was, and I don’t remember exactly, so I can’t tell you as much as I’d like.”

“The nut graph. It’s vague,” Don said. “Who was in charge of this?”

“The Metro projects editor. Tom. Tom Simon.”

“No, I mean who really edited this.”

“He did.”

“Not Hank?”

“Steve edited the version from Tom.”

“So Hank was fine with this?”

“Don, I was fine with this. Maybe I could just take a look at your printout.”

“Sorry. I’m sorry.” Don handed the story to Adam. Before Adam could look at it, Don said, “I’m not myself.”

Adam put the printout down and folded his glasses beside it on his desk. “What’s on your mind?”

“It’s Mabel.” Don shook his head. “Can we close this?” he said, going toward Adam’s door.

“Sure. Sure.” Adam looked at the Room out the glass that was the fourth wall of his office. It was Thursday. Maybe it would be better to go with the roads project next weekend, when it was Adam’s turn in the weekend rotation. Don, who came on the rotation once every ten weeks, had not been part of the discussions and rewriting. A network of asterisks and arrows crisscrossed Don’s copy of the story.

“As I may have mentioned on the phone—she wants to throw her hat in for the managing-editor job,” Don began.

“Good. Good.”