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Contents ( 76)
  1. CHAPTER
  2. ONE
  3. CHAPTER
  4. TWO
  5. CHAPTER
  6. THREE
  7. CHAPTER
  8. FOUR
  9. CHAPTER
  10. FIVE
  11. CHAPTER
  12. SIX
  13. CHAPTER
  14. SEVEN
  15. CHAPTER
  16. EIGHT
  17. CHAPTER
  18. NINE
  19. CHAPTER
  20. TEN
  21. CHAPTER
  22. ELEVEN
  23. CHAPTER
  24. TWELVE
  25. CHAPTER
  26. THIRTEEN
  27. CHAPTER
  28. FOURTEEN
  29. CHAPTER
  30. FIFTEEN
  31. CHAPTER
  32. SIXTEEN
  33. CHAPTER
  34. SEVENTEEN
  35. CHAPTER
  36. EIGHTEEN
  37. CHAPTER
  38. NINETEEN
  39. CHAPTER
  40. TWENTY
  41. CHAPTER
  42. TWENTY-ONE
  43. CHAPTER
  44. TWENTY-TWO
  45. CHAPTER
  46. TWENTY-THREE
  47. CHAPTER
  48. TWENTY-FOUR
  49. CHAPTER
  50. TWENTY-FIVE
  51. CHAPTER
  52. TWENTY-SIX
  53. CHAPTER
  54. TWENTY-SEVEN
  55. CHAPTER
  56. TWENTY-EIGHT
  57. CHAPTER
  58. TWENTY-NINE
  59. CHAPTER
  60. THIRTY
  61. EXCERPT FROM I AM NUMBER FOUR: THE LOST FILES: RETURN TO PARADISE
  62. CHAPTER
  63. ONE
  64. CHAPTER
  65. TWO
  66. EXCERPT FROM I AM NUMBER FOUR: THE LOST FILES: FIVE’S LEGACY
  67. CHAPTER
  68. ONE
  69. EXCERPT FROM I AM NUMBER FOUR: THE LOST FILES: FIVE’S BETRAYAL
  70. CHAPTER
  71. ONE
  72. BACK AD
  73. ABOUT THE AUTHOR
  74. CREDITS
  75. COPYRIGHT
  76. ABOUT THE PUBLISHER

Five. He’s working for the Mogadorians! I have to warn the others. I sit bolt upright and my head swims—too fast, too soon—rust-colored blobs floating through my vision. I blink them away, my eyes feeling gummy, my mouth dry and throat sore.

This definitely isn’t the penthouse.

My movement must trigger some nearby sensor, because the room’s lights slowly grow brighter. They come on gradually, the room eventually bathed in a pale red glow. I look around for the source of the light and discover it pulsing from veins interwoven through the chrome-paneled walls. A chill goes through me at how precise the room looks, how severe, lacking any decoration at all. The heat from the blanket increases, almost as if it wants me to curl back up beneath it. I shove it away.

This is a Mogadorian place.

I crawl across the mammoth bed—it’s bigger than an SUV, big enough for a ten-foot-tall Mogadorian dictator to comfortably relax in—until my bare feet dangle over the metal floor. I’m wearing a long gray nightgown embroidered with thorny black vines. I shudder, thinking about them putting me into this gown and leaving me here to rest. They could’ve just killed me, but instead they put me in pajamas? In my vision, I was sitting alongside Setrákus Ra. He called me his heir. What does that even mean? Is that why I’m still alive?

It doesn’t matter. The simple fact is: I’ve been captured. I know this. Now what am I going to do about it?

I figure the Mogs must have moved me to one of their bases. Except this room isn’t like the horrific and tiny cells that Nine and Six described from when they were captured. No, this must be the Mogadorians’ twisted idea of hospitality. They’re trying to take care of me.

Setrákus Ra wants me treated more like a guest than a prisoner. Because, one day, he wants me ruling next to him. Why, I still don’t understand, but right now it’s the only thing keeping me alive.

Oh no. If I’m here, what happened to the others in Chicago?

My hands start to shake and tears sting my eyes. I have to get out of here. And I have to do it alone.

I push down the fear. I push down the lingering visions of a decimated Washington. I push down the worries about my friends. I push it all down. I need to be a blank slate, like I was when we first fought Setrákus Ra in New Mexico, like I was during my training sessions with the others. It’s easiest for me to be brave when I just don’t think about it. If I act on instinct, I can do this.

Run, I imagine Crayton saying. Run until they’re too tired to chase you.

I need something to fight them with. I look around the room for anything I can use as a weapon. Next to the bed is a metallic nightstand, the only other furniture in the room. The Mogs left a glass of water there for me, which I’m not dumb enough to drink even though I’m insanely thirsty. Next to the glass, there’s a dictionary-sized book with an oily, snaky-skin cover. The ink on the cover looks singed, the words indented and rough around the edges, as if it were printed with acid for ink.