Back The Quiet Game
Chapters (43)
  1. CHAPTER 1
  2. CHAPTER 2
  3. CHAPTER 3
  4. CHAPTER 4
  5. CHAPTER 5
  6. CHAPTER 6
  7. CHAPTER 7
  8. CHAPTER 8
  9. CHAPTER 9
  10. CHAPTER 10
  11. CHAPTER 11
  12. CHAPTER 12
  13. CHAPTER 13
  14. CHAPTER 14
  15. CHAPTER 15
  16. CHAPTER 16
  17. CHAPTER 17
  18. CHAPTER 18
  19. CHAPTER 19
  20. CHAPTER 20
  21. CHAPTER 21
  22. CHAPTER 22
  23. CHAPTER 23
  24. CHAPTER 24
  25. CHAPTER 25
  26. CHAPTER 26
  27. CHAPTER 27
  28. CHAPTER 28
  29. CHAPTER 29
  30. CHAPTER 30
  31. CHAPTER 31
  32. CHAPTER 32
  33. CHAPTER 33
  34. CHAPTER 34
  35. CHAPTER 35
  36. CHAPTER 36
  37. CHAPTER 37
  38. CHAPTER 38
  39. CHAPTER 39
  40. CHAPTER 40
  41. CHAPTER 41
  42. EPILOGUE
  43. Table of Contents

The north side looks nicer than it did when I was a boy. Back then it was a warren of shotgun shacks and dilapidated houses separated by vacant lots and condemned buildings, their walls patched with tin or even cardboard. Juke clubs operated out of private houses surrounded by men drinking from paper bags, and paint-and-body shops sagged amid herds of junk cars, looking like sets for The Road Warrior. Now there are rows of well-kept houses, a sparkling video store, a state-of-the-art Texaco station, good streetlights, smooth roads.

I swing into the parking lot of the strip mall and scan the storefronts: a styling salon, a fish market, an NAACP voter-registration center, a Sno-Cone stand thronged by black kids, and one newly painted front hung with a bright banner that reads, SHAD JOHNSON—THE FUTURE IS NOW.

An open-air barbecue pit built from a sawn-in-half fifty-five-gallon drum smokes like a barn fire outside the NAACP center, sending the aroma of chicken and pork ribs into the air. A knot of middle-aged black men stands around the pit drinking Colt .45 from quart bottles. They fall silent and watch with sullen suspicion as I get out of the BMW and approach Johnson’s building. I nod to them and go inside.

A skinny young man wearing a three-piece suit that must be smothering him sits behind a metal desk, talking on a telephone. Behind the desk stands a wall-to-wall partition of whitewashed plywood with a closed door set in it. The young man looks up and motions me toward a battered church pew. I nod but remain standing, studying the partition, which is plastered with posters exhorting the public to vote for Shad Johnson. Half show him wearing a dark suit and sitting behind a large desk, a model of conservatism and rectitude; the other half show a much younger-looking Johnson sporting a Malcolm X-style goatee and handing out pamphlets to teenagers on an urban playground. It isn’t hard to guess which posters hang in which parts of town.

A voice rises over the partition. It has anger in it, but anger communicated with the perfect diction of a BBC news reader. As I try to get a fix on the words, the young assistant hangs up and disappears through the door. He returns almost instantly and signals me to follow him.