Chapters (43)
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- EPILOGUE
- Table of Contents
The circuit court has seven rows of benches for spectators, with another six in an upstairs balcony at the rear, several of which have been co-opted today by the cameras of CNN and WLBT. Viewed from the rear door, the jury box stands against the right wall, with the door to the jury room in the far right corner. The witness box stands to the right of the judge’s bench and, awkwardly, a little behind it, attached to the rear wall. The judge’s bench is set on a dais at the center, with desks for the court reporter and circuit clerk extending forward into the room at right angles to the bench. The reporter sits on the right, the clerk and his deputy on the left. Beyond the clerk’s desk on the left is a large, open space for the presentation of exhibits. The lawyer’s tables stand just beyond the bar, not far separated from the clerk’s and reporter’s desks, with the podium beside the table on the right. The only touches of Southern atmosphere are the white capitals of the Doric columns visible through the windows behind the judge’s bench, and the intertwining oak branches beyond them, which give an unexpected airiness to the otherwise close room. And then there is the clock on the wall. Symbolically enough, it has no hands, and I am reminded of Carson McCullers’s dark and poignant novel. She would feel right at home in the midst of the strange and tragic case that has brought us here today.
Walking up the aisle toward my table to begin the voir dire phase of the trial, I receive one of the greatest shocks of my life. Seated at the plaintiff’s table alongside Leo Marston and Blake Sims is Livy Marston Sutter. She doesn’t look up at me, but any fleeting hope that she might be here for moral support is quickly banished by her appearance. From her pulled-back hair to her tailored navy suit and Prada shoes, she is every inch a lawyer. Every movement precise, every glance measured, Livy radiates a self-assurance that draws the eyes of everyone in sight of her, producing in both men and women a desire for her attention and approval.
Blake Sims looks dowdy beside her. He wears the traditional uniform of the Ole Miss lawyer: blue blazer, white pinpoint button-down, striped tie, dress khakis, and cordovan wing tips. His face is pink and fleshy, the face of a student council president, with sandy blond hair and blue eyes. The more I think about Sims, the more obvious it becomes why Leo wants Livy here.