Back The Quiet Game Save as PDF
Chapters (43)
  1. CHAPTER 1
  2. CHAPTER 2
  3. CHAPTER 3
  4. CHAPTER 4
  5. CHAPTER 5
  6. CHAPTER 6
  7. CHAPTER 7
  8. CHAPTER 8
  9. CHAPTER 9
  10. CHAPTER 10
  11. CHAPTER 11
  12. CHAPTER 12
  13. CHAPTER 13
  14. CHAPTER 14
  15. CHAPTER 15
  16. CHAPTER 16
  17. CHAPTER 17
  18. CHAPTER 18
  19. CHAPTER 19
  20. CHAPTER 20
  21. CHAPTER 21
  22. CHAPTER 22
  23. CHAPTER 23
  24. CHAPTER 24
  25. CHAPTER 25
  26. CHAPTER 26
  27. CHAPTER 27
  28. CHAPTER 28
  29. CHAPTER 29
  30. CHAPTER 30
  31. CHAPTER 31
  32. CHAPTER 32
  33. CHAPTER 33
  34. CHAPTER 34
  35. CHAPTER 35
  36. CHAPTER 36
  37. CHAPTER 37
  38. CHAPTER 38
  39. CHAPTER 39
  40. CHAPTER 40
  41. CHAPTER 41
  42. EPILOGUE
  43. Table of Contents

The circuit court has seven rows of benches for spectators, with another six in an upstairs balcony at the rear, several of which have been co-opted today by the cameras of CNN and WLBT. Viewed from the rear door, the jury box stands against the right wall, with the door to the jury room in the far right corner. The witness box stands to the right of the judge’s bench and, awkwardly, a little behind it, attached to the rear wall. The judge’s bench is set on a dais at the center, with desks for the court reporter and circuit clerk extending forward into the room at right angles to the bench. The reporter sits on the right, the clerk and his deputy on the left. Beyond the clerk’s desk on the left is a large, open space for the presentation of exhibits. The lawyer’s tables stand just beyond the bar, not far separated from the clerk’s and reporter’s desks, with the podium beside the table on the right. The only touches of Southern atmosphere are the white capitals of the Doric columns visible through the windows behind the judge’s bench, and the intertwining oak branches beyond them, which give an unexpected airiness to the otherwise close room. And then there is the clock on the wall. Symbolically enough, it has no hands, and I am reminded of Carson McCullers’s dark and poignant novel. She would feel right at home in the midst of the strange and tragic case that has brought us here today.

Walking up the aisle toward my table to begin the voir dire phase of the trial, I receive one of the greatest shocks of my life. Seated at the plaintiff’s table alongside Leo Marston and Blake Sims is Livy Marston Sutter. She doesn’t look up at me, but any fleeting hope that she might be here for moral support is quickly banished by her appearance. From her pulled-back hair to her tailored navy suit and Prada shoes, she is every inch a lawyer. Every movement precise, every glance measured, Livy radiates a self-assurance that draws the eyes of everyone in sight of her, producing in both men and women a desire for her attention and approval.

Blake Sims looks dowdy beside her. He wears the traditional uniform of the Ole Miss lawyer: blue blazer, white pinpoint button-down, striped tie, dress khakis, and cordovan wing tips. His face is pink and fleshy, the face of a student council president, with sandy blond hair and blue eyes. The more I think about Sims, the more obvious it becomes why Leo wants Livy here.