Biscuits and Blues is a three-story building on Main, with a large second-floor balcony overlooking the street. A young woman stands talking on a cell phone just inside the door—where Caitlin Masters promised to meet me—but I don’t think she’s the newspaper publisher. She looks more like a French tourist. She’s wearing a tailored black suit, cream silk blouse, and black sandals, and she is clearly on the sunny side of thirty. But as I check my watch, she turns face on to me and I spot a hardcover copy of False Witness cradled in her left arm. I also see that she’s wearing nothing under the blouse, which is distractingly sheer. She smiles and signals that she’ll be off the phone in a second, her eyes flashing with quick intelligence.

I acknowledge her wave and wait beside the door. I’m accustomed to young executives in book publishing, but I expected something more conventional in the newspaper business, especially in the South. Caitlin Masters stands with her head cocked slightly, her eyes focused in the middle distance, the edge of her lower lip pinned by a pointed canine. Her skin is as white as bone china and without blemish, shockingly white against her hair, which is black as her silk suit and lies against her neck like a gleaming veil. Her face is a study in planes and angles: high cheekbones, strong jawline, arched brows, and a straight nose, all uniting with almost architectural precision, yet somehow escaping hardness. She wears no makeup that I can see, but her green eyes provide all the accent she needs. They seem incongruous in a face that almost cries out for blue ones, making her striking and memorable rather than merely beautiful.

As she ends her call, she speaks three or four consecutive sentences, and a strange chill runs through me. Ivy League Boston alloyed with something softer, a Brahmin who spent her summers far away. On the telephone this morning I didn’t catch it, but coupled with her face, that voice transforms my suspicion to certainty. Caitlin Masters is the woman I spoke to on the flight to Baton Rouge. Kate . . . Caitlin.

She holds out her hand to shake mine, and I step back. “You’re the woman from the plane. Kate.”

Her smile disappears, replaced by embarrassment. “I’m surprised you recognize me, dressed like I was that day.”

“You lied to me. You told me you were a lawyer. Was that some kind of setup or what?”

“I didn’t tell you I was a lawyer. You assumed I was. I told you I was a First Amendment specialist, and I am.”

“You knew what I thought, and you let me think it. You lied, Ms. Masters. This interview is over.”