Chapters (43)
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- EPILOGUE
- Table of Contents
A single camera crew has been allowed inside the church to tape the ceremony. The logo on the camera reads WLBT, the call letters of the black-owned station in Jackson. As I pan across the crowd, I see several familiar faces. In the first row sits Shad Johnson, wearing a suit that cost enough to buy any ten suits behind him. A few feet down the same pew sits the Payton family: Althea, Georgia, Del Jr., and his children. Althea nods to me, her brown eyes full of sympathy. In the second row sits the Gates family, the most powerful force in black politics in Natchez for forty years, now upstaged by the urban prodigal from Chicago. Several pews beyond them sits Willie Pinder, the former police chief. Pinder winks as I catch his eye. And in the last pew, sitting restlessly in the aisle seat as though prepared to make a quick exit, sits a man who looks very much like Charles Evers. The former mayor of Fayette and brother of Medgar looks like a man who does not intend to be bothered by anyone.
Suddenly the back door opens and two white faces float through it, Caitlin Masters and one of her photographers, escorted by Deputy Ike Ransom in his uniform. Ike remains just inside the back door, like a sentry, while Caitlin and her photographer slip through the crowd at the back wall and stop beside the WLBT camera.
In the shuffling, sweating silence the organist begins to play, and the purple-robed choir rises to its feet, beginning a restrained rendition of “Jesus, Keep Me Near the Cross.” The rich vibrato of two dozen voices fills the building, making the church reverberate like the soundboard of a grand piano. The whole congregation knows the words, and they join in softly.
As the last chorus fades, Reverend Nightingale makes his way slowly down the aisle and ascends to the pulpit. He is a small man, with fine white hair and frail limbs, but his voice has the deep, resonant timbre of the best black preachers.
“Brothers and sisters. Mothers. Deacons and officers. Visitors and friends. We are gathered here today to mourn the passing of Sister Ruby Flowers.”
A collective Mm-hm ripples through the church, punctuated by a couple of soft Amens. Reverend Nightingale touches the rim of his spectacles and continues.
“Everyone in this room knows how loyally Sister Flowers supported this church. She was born in 1917, and came to Jesus when she was nine years old. Reverend Early was pastor then. He was a godly man, but sparing with his praise. Yet as a boy I often heard him speak of how lucky he was to have womenfolk like Sister Flowers in his flock.”
Yes, Lord, comes the reply. Yes, sir.
“In the last few days a lot of reporters been asking me what Sister Flowers was like. Do you know what I tell them?”
Tell it.