Back The Quiet Game
Chapters (43)
  1. CHAPTER 1
  2. CHAPTER 2
  3. CHAPTER 3
  4. CHAPTER 4
  5. CHAPTER 5
  6. CHAPTER 6
  7. CHAPTER 7
  8. CHAPTER 8
  9. CHAPTER 9
  10. CHAPTER 10
  11. CHAPTER 11
  12. CHAPTER 12
  13. CHAPTER 13
  14. CHAPTER 14
  15. CHAPTER 15
  16. CHAPTER 16
  17. CHAPTER 17
  18. CHAPTER 18
  19. CHAPTER 19
  20. CHAPTER 20
  21. CHAPTER 21
  22. CHAPTER 22
  23. CHAPTER 23
  24. CHAPTER 24
  25. CHAPTER 25
  26. CHAPTER 26
  27. CHAPTER 27
  28. CHAPTER 28
  29. CHAPTER 29
  30. CHAPTER 30
  31. CHAPTER 31
  32. CHAPTER 32
  33. CHAPTER 33
  34. CHAPTER 34
  35. CHAPTER 35
  36. CHAPTER 36
  37. CHAPTER 37
  38. CHAPTER 38
  39. CHAPTER 39
  40. CHAPTER 40
  41. CHAPTER 41
  42. EPILOGUE
  43. Table of Contents

The Pilgrimage season sparkles with evening parties, culminating in formal balls—the Queen’s and King’s—where liquor and champagne flow like water, and guests spanning four generations dance deep into the night. Nowadays the king’s and queen’s balls are often compressed into a single event, a telling commentary on the reduced fortunes of the city. But twenty years ago they were Gatsby-like orgies of conspicuous consumption, competitive arenas for the proud parents of young royalty. Livy’s ball was the grandest in recent memory, and no one expected anything less. I was not invited, of course. But my date was: an “old Natchez” girl with a wicked sense of humor and no great love for the Marstons. I initially declined her invitation, but she finally convinced me that it would be a crime to skip such a historic display of excess.

Fifteen hundred invitations were mailed, and more than two thousand people chose to attend. Leo chartered a jet to fly Livy’s sorority sisters down from UVA, a plane packed with Tri-Delts that—had it crashed—would have sent the Virginia marriage market into an irrecoverable tailspin. Ice sculptures were trucked down from Memphis in refrigerated vans, wondrous fantasy figures that melted so fast they drew solemn crowds of matrons who looked near tears that such extravagant beauty would be allowed to perish. Livy herself wore an eighteen-thousand-dollar gown hand-sewn by the woman who crafted the dresses for the Mardi Gras queens in New Orleans. It was made of candlelight silk, white brocade, and imported satin gathered tightly at the waist and spreading to a veritable landscape of snowy fabric embellished with alençon lace, pearls, iridescent paillettes, and jewels, and trailed by a seven-foot, three-paneled fan train to be carried by toddler pages during the pageant.

Traditionally queens never wore their pageant dresses to the balls, but Livy Marston, as ever, decided to make her own rules. When she appeared in the entrance of the hotel ballroom—escorted by the quarterback of the University of Virginia football team—a thousand women sighed together, making a sound like a soft wind. All I could think of was Audrey Hepburn at the head of the staircase in My Fair Lady, a shimmering chrysalis transformed into the most beautiful creature in the world. Even when the ball began in earnest, you could sense where Livy was at all times, a center of social gravity around which everyone whirled in attentive, almost worshipful fascination.

My date and I danced at the periphery of the crowd. She knew that, were I to come face to face with Leo Marston so soon after the trial, sparks would fly. I occasionally glimpsed Livy near me, spinning in the arms of her quarterback or her father, or passing in a glittering flock of Tri-Delts. But our eyes never met.