Tonight I file out of the nave with the rest of the girls and head to our sleeping quarters filled with creaky twin beds evenly spaced apart, but in my mind I’m hatching a plan. To compensate for the hard beds and the concrete chill of every room, the linens are soft and the blankets heavy, the only real luxury we’re afforded. My bed is in the back corner, farthest from the door, which is the most sought after spot; it’s the quietest, and it took me a long time to get it, moving one bed closer as each girl left.

The lights are shut off once everyone is settled in. I lie on my back and stare at the faint, jagged outline of the high ceiling. An occasional whisper breaks the silence, followed immediately by the attending Sister shushing whoever it came from. I keep my eyes open, waiting impatiently for everyone to fall asleep. After a half hour the whispers fade, replaced by the soft sounds of sleep, but I don’t dare risk it yet. Too soon. Another fifteen minutes and still no sounds. Then I can’t stand it any longer.

I hold my breath and inch my legs over the edge of the bed, listening to the rhythm of Elena’s breathing beside me. My feet find the icy floor, and turn cold instantly. I stand slowly to keep the bed from creaking and then tiptoe across the room and towards the door, taking my time, being careful not to bump any beds. I reach the open doorway and rush out into the hall and down to the computer room. I pull out the chair and push the computer’s power button.

I fidget waiting for the computer to boot up and keep peering towards the hallway to see if anyone has followed. I’m finally able to type in the web address and the screen goes white, then two pictures take shape in the center of the page, surrounded by text with a top headline in bold black letters too blurry to read. Two images now—I wonder what changed since I tried to check earlier. And then, at last, they come into focus:

INTERNATIONAL TERRORISTS?

John Smith, with his square jaw, shaggy dark blond hair, and blue eyes, fills the left side of the screen, while his father—or more likely Cêpan—Henri takes up the right. What’s there isn’t a photo but a black-and-white artist’s sketch done in pencil. I skim the details I already know—demolished school, five deaths, abrupt disappearance—and then come to the breaking news only now being reported: