Chapters (39)
- Title Page
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-One
- Chapter Twenty-Two
- Chapter Twenty-Three
- Chapter Twenty-Four
- Chapter Twenty-Five
- Chapter Twenty-Six
- Chapter Twenty-Seven
- Chapter Twenty-Eight
- Chapter Twenty-Nine
- Chapter Thirty
- Chapter Thirty-One
- Chapter Thirty-Two
- Chapter Thirty-Three
- About the Author
- Also by Pittacus Lore
- Credits
- Copyright
- About the Publisher
Father Marco has droned on for a good forty-five minutes, and finally I close my eyes, thinking of the cave and debating whether I should bring Ella along with me today. There are several problems with it. First, there’s zero light inside, and there’s no way Ella will be able to see through the dark in the way that I can. Second, the snow has yet to melt, and I’m not sure she’d be able to make the trek through it. But most of all, I worry that bringing her would be putting her in harm’s way. The Mogadorians could arrive at any moment, and Ella would be defenseless. But even with these obstacles and concerns, I’m eager to take her along anyway. I want to show her my paintings.
On Tuesday, minutes before we were to depart for school, I had found Ella hunched over on her bed. Still chewing on a breakfast biscuit, I looked over her shoulder to see her furiously shading a perfect drawing of our sleeping quarters. The details, the technical accuracy of each crack in the wall, her ability to capture the faintest of squares of sunrays that dropped through the windows in the morning, was astounding. It was as if I was looking at a black-and-white photograph.
“Ella!” I had blurted.
She had flipped the paper over, trapping it against her schoolbook with her tiny smudged hands. She knew it was me but didn’t turn around.
“Where did you learn how to do that?” I’d whispered. “How did you learn to draw so well?”
“My father,” she whispered back, keeping the drawing turned over. “He was an artist. So was my mother.”
I’d sat down on her bed. “And here I thought I was a pretty good painter.”
“My father was an incredible painter,” she’d said plainly. Before I could ask her more questions, we had been interrupted and then ushered out of the room by Sister Carmela. That night I’d found Ella’s drawing under my pillow. It’s the best present I’ve ever received.
Sitting in Mass, I think that maybe she can help me with my cave paintings. Surely I can find a flashlight or lantern somewhere here to take with us. And then my thoughts are interrupted by a fit of giggles beside me.