Chapters (39)
- Title Page
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-One
- Chapter Twenty-Two
- Chapter Twenty-Three
- Chapter Twenty-Four
- Chapter Twenty-Five
- Chapter Twenty-Six
- Chapter Twenty-Seven
- Chapter Twenty-Eight
- Chapter Twenty-Nine
- Chapter Thirty
- Chapter Thirty-One
- Chapter Thirty-Two
- Chapter Thirty-Three
- About the Author
- Also by Pittacus Lore
- Credits
- Copyright
- About the Publisher
On my knees, I knock away just enough snow to be able to slip down and in. I drop the bag ahead of me, untie the blanket from my neck and sweep it across the snow to hide my footprints, then hang it on the other side of the opening to keep out the wind. The entrance is narrow for the first three meters, followed by a slightly wider passageway that winds down a steep decline large enough to navigate while standing; and after that the cave opens, revealing itself.
The ceiling is high and echoing, and its five walls smoothly transition into one another, creating an almost perfect polygon. A stream cuts through the back right corner. I have no idea where the water comes from or where it goes—springing up through one of the walls only to disappear into the earth’s deeper depths—but the level never changes, offering a reservoir of icy cold water regardless of the time of day or season. With the constant fresh source of water, this is the perfect place to hide. From the Mogadorians, the Sisters, and the girls—even Adelina. It’s also the perfect place to use and hone my Legacies.
I drop the bag beside the stream, remove the nonperishables, and place them on the rock ledge, which already holds several chocolate bars, small bags of granola, oatmeal, cereal, powdered milk, a jar of peanut butter, and various cans of fruits, vegetables, and soup. Enough for weeks. Only when everything is put away do I stand and allow myself to be greeted by the landscapes and faces I’ve painted on the walls.
From the very first time a brush was put into my hand at school, I fell in love with painting. Painting allows me to see things as I want to and not necessarily as they are; it’s an escape, a way to preserve thoughts and memories, a way to create hopes and dreams.
I rinse the brushes, rubbing the stiffness from the bristles, and then mix the paint with water and sediment from the creek bed, creating earthy tones that match the gray of the cave’s walls. Then I walk to where John Smith’s partially completed face greets me with his uncertain grin.