Back The Other Side of Now Save as PDF
Chapters (36)
  1. Copyright Notice
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. CHAPTER ONE
  6. CHAPTER TWO
  7. CHAPTER THREE
  8. CHAPTER FOUR
  9. CHAPTER FIVE
  10. CHAPTER SIX
  11. CHAPTER SEVEN
  12. CHAPTER EIGHT
  13. CHAPTER NINE
  14. CHAPTER TEN
  15. CHAPTER ELEVEN
  16. CHAPTER TWELVE
  17. CHAPTER THIRTEEN
  18. CHAPTER FOURTEEN
  19. CHAPTER FIFTEEN
  20. CHAPTER SIXTEEN
  21. CHAPTER SEVENTEEN
  22. CHAPTER EIGHTEEN
  23. CHAPTER NINETEEN
  24. CHAPTER TWENTY
  25. CHAPTER TWENTY-ONE
  26. CHAPTER TWENTY-TWO
  27. CHAPTER TWENTY-THREE
  28. CHAPTER TWENTY-FOUR
  29. CHAPTER TWENTY-FIVE
  30. CHAPTER TWENTY-SIX
  31. EPILOGUE
  32. ACKNOWLEDGMENTS
  33. OFFICIAL PLAYLIST FOR THE OTHER SIDE OF NOW
  34. Also by Paige Harbison
  35. ABOUT THE AUTHOR
  36. Newsletter Sign-up

“Aimee, I can’t find the garden hose! I don’t know how it went missing, but—”

One of the tech crew, the teenage barista from Joy’s—who’s not named Freddy and is in fact named Antony—bursts into the dressing room. With him comes the ambient sound of busy energy from outside.

He looks stressed.

“Stage left, I just saw it,” she says.

He sighs deeply, putting a hand on his chest. “What a relief.”

He rushes back out, sending this room back into silence.

Aimee and I look at each other.

“I can’t do it. I haven’t had any time to emotionally prepare for this. I hate being onstage!”

I’m filled with a fizzing, nervous anticipation I haven’t felt in years. Knowing everyone is out there, that they’ll be watching in real time. I’ll hear them laugh. I’ll feel them listen.

“You can do this,” I say to Aimee, earnestly. “It’s you and me.”

The characters are us, in a way, but there’s another meaning to my words. It’s going to be us onstage and nothing else matters.

She exhales noisily and says, “Why did I agree to this?”

“Because it’s the best thing.” And the only thing, because otherwise she was big-time fucked. “You’re going to be great.”

“Maybe! Or maybe I’ll suck!”

She sits down next to me and starts buffing her foundation into her skin with frantic energy. I finish my lipstick and then, as she overapplies blush, I say, “Okay, okay, let’s calm down, let’s put down the makeup. Come here, let me help you.”

She turns to me, looking anxious, her eyes pointed at the ceiling, her eyebrows in a state of worry.

I blend the foundation around her jawline and clean off the blush brush with a tissue before starting to buff in the color.

It’s been a really long time since I’ve done another girl’s makeup, but I always used to do Aimee’s. Even if I did a bad job.

When we were around thirteen years old and really discovering makeup for the first time, we’d experiment with it in my parents’ bathroom while they watched Survivor downstairs. Once, we got caught using my mom’s good stuff and she tried to teach us better techniques.

Then, once we were older and I was starting to get the general hang of it, I’d do Aimee’s makeup before homecoming, when we were usually each other’s dates. Before prom, which we both had dates for, but left early. Before the plays, even when I had the lead and she was in the background. Before our joint high school graduation party.

In college, she leaned into a more natural, clean look and lost interest in me practicing cat eyes and contouring on her.